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    <title>Gaia: Creative Spirit - What is art? What is creativity?</title>
    <id>tag:gaia.com,2008,:Gaia</id>
    <link>http://groups.gaia.com/creative_spirit/discussions/feeds/board/100</link>
    <language>en-us</language>
    <ttl>8</ttl>
    <pubDate>Thu, 15 Feb 2007 09:24:42 GMT</pubDate>
    <description>Gaia: Creative Spirit - What is art? What is creativity?</description>
    <item>
      <title>Re: What is art? ...</title>
      <author>http://ClarityQuest.gaia.com</author>
      <dc:creator>Alex Chua</dc:creator>
      <guid>tag:gaia.com,2007:Gaia-108291</guid>
      <pubDate>Thu, 15 Feb 2007 09:24:42 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/95413#108291</link>
      <description>


&lt;p&gt;      Very interesting thoughts, Reza.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pods.zaadz.com/what_the_bleep_do_we_know/admin/join"&gt;Co-Creating Reality ~ What Else is Possible?&lt;/a&gt;&lt;br /&gt;Namaste,&lt;br /&gt;Alex Chua &lt;/p&gt;

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    <item>
      <title>What is art? ...</title>
      <author>#</author>
      <dc:creator>gdfg</dc:creator>
      <guid>tag:gaia.com,2007:Gaia-95413</guid>
      <pubDate>Sun, 07 Jan 2007 09:01:43 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/95413</link>
      <description>


&lt;p&gt;      I think art is somthing that have &lt;strong&gt;1&lt;/strong&gt;.&lt;span class="BAB_CPTermStyle"&gt;arrangement&lt;/span&gt;&amp;nbsp; or organization and &lt;strong&gt;2&lt;/strong&gt;. creativity.&lt;br /&gt;I think art is a key to know god better.&lt;br /&gt;and i think we love art because we made with &lt;span class="BAB_CPTermStyle"&gt;arrangement and creativity.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Aristotle say&lt;br /&gt;&lt;strong&gt;The aim of art is to represent not the outward appearance of things, but their inward significance&lt;/strong&gt;.&lt;br /&gt; &lt;/p&gt;

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      <title>Art's Frame of Reference</title>
      <author>http://fzal.gaia.com</author>
      <dc:creator>Fredrick</dc:creator>
      <guid>tag:gaia.com,2006:Gaia-5308</guid>
      <pubDate>Mon, 03 Apr 2006 08:07:48 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/3699#5308</link>
      <description>


&lt;p&gt;      &lt;span&gt;&lt;font size="2"&gt;To bring in the parameter of the &amp;#39;market&amp;#39; is an entirely different issue.&lt;br /&gt;Many artists&amp;#39; works were value-less until after their death.&lt;br /&gt;Contemporary artists have the augmentation of the international press, which was not around for Michelangelo or even van Gogh.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;I was quite intrigued by the way the Guggenheim had patroned artists to create works, and if they did not sell, then the Guggenheim owned all of the works.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Well, since the Guggenheim also &amp;lsquo;assisted&amp;rsquo; the art critics to determine tastes, it would seem that most artists in their premiere would sell little to nothing, and the Guggenheim would acquire significant collections of &amp;lsquo;early work&amp;rsquo;.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Then, just a show or two later, they were considered amazing talents, and the earlier works [&amp;lsquo;purchased&amp;rsquo; for pennies] were now worth millions&amp;hellip;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;I think that it is more important to focus upon the concept of self-appreciation.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;Are you creating works to sell, or to express a part of your soul?&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;If you want to sell, then mass produce things for hotels by the thousands.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;An artist friend of mine has, what I think of as three distinct art forms:&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;1) gallery art;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;2) public art; and&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;3) community art.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;His gallery art sells for thousands, and is in the collections of a number of museums.&lt;span&gt;&amp;nbsp; &lt;/span&gt;But, he only sells about 1-4 painting per year.&lt;span&gt;&amp;nbsp; &lt;/span&gt;So, he has #2: Public Art.&lt;span&gt;&amp;nbsp; &lt;/span&gt;This is where he boils down big art concepts to something that he can readily sell to the public art agencies.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Every year, he gets dozens of public art commissions; They are kitschy, gaudy and if he was not a friend of mine&amp;hellip; well, I wouldn&amp;rsquo;t think much of them.&lt;span&gt;&amp;nbsp; &lt;/span&gt;But, as I do know him, I understand his process.&lt;span&gt;&amp;nbsp; &lt;/span&gt;He is trying to create art that Joe Schmo can relate to.&lt;span&gt;&amp;nbsp; &lt;/span&gt;[Remember Joe Schmo was taught that by gluing some macaroni on a plate that he was creating art.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Especially if he then tossed some green glitter all over it.]&lt;span&gt;&amp;nbsp; &lt;/span&gt;Lastly, is his community art works.&lt;span&gt;&amp;nbsp; &lt;/span&gt;There are soley for himself, well, actually they are for the community in which we live; but he has no &amp;lsquo;client&amp;rsquo; so he does whatever he wants.&lt;span&gt;&amp;nbsp; &lt;/span&gt;They are resonant works, full of character, challenging politics and establishment,&amp;hellip; I LOVE THEM!&lt;span&gt;&amp;nbsp; &lt;/span&gt;But, without the first two, he could not afford to spend a thousand bucks on little plaster buddhas that he randomly inserts into nooks and crannies around town, or creating public gardens spaces in the midst of parking lots during the middle of the night&amp;hellip;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span&gt;&lt;font size="2"&gt;We all question ourselves.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Heck, I refused to consider myself an artist until a year ago when my friends pretty much hammered it into me that I was due to the amount of $%^&amp;amp;* that I was creating around town physically and theoretically.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Did Michelangelo have periods of doubt as he laid on his back for fifteen years painting the Sistine Chapel on scaffolding?&lt;span&gt;&amp;nbsp; &lt;/span&gt;Most certainly!&lt;span&gt;&amp;nbsp; &lt;/span&gt;He had days of doubt, anger, indigestion, sorrow, you name it.&amp;nbsp; [Don&amp;#39;t worry, I have no delusions, I know that I am no Michaelangelo...]&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;span&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;Perhaps we need more time to be thoughtful.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;If we were painting a room for fifteen years, then our boss would certainly fire us.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;But, we do not build chapels over 500 years, we build them in three months and they fall apart just after the seven-year factory warranties go out of effect.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;Rob, Steve, DG,&amp;hellip;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font size="2"&gt;We all create art, if we are being true to ourselves.&lt;/font&gt;&lt;/span&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;&lt;span&gt;I just hope that along with creating work personally, that we will take a moment to talk to the Joe Schmo&amp;rsquo;s around us and educate them a bit more, so that Joe himself could be more thoughtful in his daily acts of creation.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Joe might become the next Marcel Duchamp or &lt;/span&gt;&lt;span&gt;Jean-Michel Basquiat.&lt;br /&gt;&lt;br /&gt;Ciao,&lt;br /&gt;Fredrick&lt;/span&gt;&lt;/font&gt;&lt;/p&gt; &lt;/p&gt;

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      <title>Re: Is the Act of Creation inherently "Artistic"?</title>
      <author>http://DG.gaia.com</author>
      <dc:creator>DG</dc:creator>
      <guid>tag:gaia.com,2006:Gaia-4107</guid>
      <pubDate>Tue, 28 Mar 2006 12:43:02 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/3699#4107</link>
      <description>


&lt;p&gt;      Steve, you've hit on an important bit -- the idea of "whose perception turns something into art?"

Perhaps money is a key element here. If I sell my work to make a living, then I am more dependent on other people defining it as "art" and therefore worthy of purchase. If I create for my own pleasure, then I can assign the result any definition I like.

I met a professional ceramicist recently. She was quite frustrated over the whole "art vs. craft" debate, because she felt that "art" is worth more money and adulation in the "market."  ("Market" being a term for "buying public.") 

In fact, she had assigned a lot of power to this "market" to decide what could be considered art and what was "mere craft." And she felt rather helpless, because she didn't feel she could influence the "market" to see her work as "art."

I see where she was coming from -- she needed to sell work to make a living. But I felt sad for her, because that perception seemed to take away her joy in her work. &lt;/p&gt;

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    <item>
      <title>Re: Is the Act of Creation inherently "Artistic"?</title>
      <author>#</author>
      <dc:creator>theQuietMan</dc:creator>
      <guid>tag:gaia.com,2006:Gaia-4059</guid>
      <pubDate>Tue, 28 Mar 2006 02:59:24 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/3699#4059</link>
      <description>


&lt;p&gt;      I wonder if whether a work is artistic or not depends on how it is perceived. Art seems to have a life of its own after it leaves its creator&amp;#39;s hands. I think a creator will usually see it as artistic, but do others? I think of art and how impressionism was not always looked on as artistic by some critics, but after time, its acceptance grew and its artistic value grew. However, on the other hand, I think of literature vis-a-vis &amp;quot;popular&amp;quot; writings, say paperback romances. If we just look at numbers of individuals who think highly of the art, does it still make it artistic?&amp;nbsp; Is it a matter of how the work stands over time? Then again, I have made some sandwiches I felt were a work of art, and no one else ever saw them. &lt;br /&gt;&lt;br /&gt; &lt;/p&gt;

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      <title>Re: Is the Act of Creation inherently "Artistic"?</title>
      <author>http://Robcore.gaia.com</author>
      <dc:creator>Rob</dc:creator>
      <guid>tag:gaia.com,2006:Gaia-3918</guid>
      <pubDate>Mon, 27 Mar 2006 07:18:13 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/3699#3918</link>
      <description>


&lt;p&gt;      Creativity is something coming from nothing. 'Artsy', to me, implies that something was more intentional on behalf of the individual.
Where there is certainty, there is no room for creativity....Creativity is when something comes from nothing(Which is why I'd sooner say that to be artistic one must allow creativity to happen &lt;i&gt;through&lt;/i&gt; him rather than &lt;i&gt;by&lt;/i&gt; him).

Building a sandwich...is that really creation? or is it simply construction? bringing actuality to an idea which is already fully conceptualized...
I mean, in one context creation and construction are synonymous...but...

maybe it's more like a thermometer than a coin...not &lt;i&gt;artistic vs. not-artistic&lt;/i&gt;, but rather, simply degrees of artistic-ness....where there might be a degree of artfulness in sandwich making, but the artfulness is marked more by the prescence of the artist 'in the Now' as he does his art...by the degree of openness to uncertainty as one acts as creativity's vessel.

-Rob
 &lt;/p&gt;

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      <title>Re: Is the Act of Creation inherently "Artistic"?</title>
      <author>http://DG.gaia.com</author>
      <dc:creator>DG</dc:creator>
      <guid>tag:gaia.com,2006:Gaia-3734</guid>
      <pubDate>Sun, 26 Mar 2006 02:05:04 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/3699#3734</link>
      <description>


&lt;p&gt;      I'm unlikely to do justice to your post, Fredrick, but I must answer your question with a resounding "yes."

Although granted, to my mind, your sandwich also qualifies as art in some contexts.

I see all acts of creativity as not only artistic, but vital. Anytime we're in the act of making, even when it's not going so well or the result isn't quite what we wanted, we're actively choosing to eschew the poisons of human life; boredom, numbing out through substances, needless interpersonal drama, despair. Anytime a person takes the stuff of his or her life and channels it into something that's never existed before, I see it as art -- whether you eat, wear, drive, sit on, or hang the result in a museum.

Granted, there are distinctions, and I haven't been able to define these satisfactorily yet. Picasso, after all, may have more to do with Thor Heyerdahl than Craftster.org. There is art that travels to places no one knew existed, and shifts perceptions, and remains relevant over generations. Such art deserves elevation, and yet elevating any art troubles me. That tends to create barriers to entry, as in, "I'll never try painting, because I'll never do it as well as Cezanne."

There's my conundrum: I want to exalt all creativity, and I still want to rarify the artists who inspire me.

 &lt;/p&gt;

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      <title>Is the Act of Creation inherently "Artistic"?</title>
      <author>http://fzal.gaia.com</author>
      <dc:creator>Fredrick</dc:creator>
      <guid>tag:gaia.com,2006:Gaia-3699</guid>
      <pubDate>Sat, 25 Mar 2006 22:29:34 GMT</pubDate>
      <link>http://groups.gaia.com/creative_spirit/conversations/view/3699</link>
      <description>


&lt;p&gt;      &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I was recently at a lecture by Arnold Kemp [http://www.worksarnoldjkemp.com], where I posed the simple question, &amp;rdquo; Is the Act of Creation inherently &amp;lsquo;Artistic&amp;rsquo;?&amp;rdquo;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I asked this question, as:&lt;/font&gt;&lt;/p&gt;&lt;span class="mainsmall21"&gt;&lt;span style="color: windowtext; letter-spacing: 0pt"&gt;&lt;font size="2"&gt;1)&lt;/font&gt;&lt;span style="font: 7pt &amp;#39;Times New Roman&amp;#39;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;font size="2"&gt;Mr. Kemp is the curator of the &lt;span class="mainsmall21"&gt;&lt;span style="color: windowtext; font-family: Verdana; letter-spacing: 0pt"&gt;Yerba Bunea Center for the Art, and is in a position that has been defining such in an important art market; and&lt;/span&gt;&lt;/span&gt;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt 0.5in; text-indent: -0.25in; tab-stops: list .5in" class="MsoNormal"&gt;&lt;font size="2"&gt;2)&lt;/font&gt;&lt;span style="font: 7pt &amp;#39;Times New Roman&amp;#39;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;font size="2"&gt;There has been a long standing kitsch-inspired argument about &amp;lsquo;outsider&amp;rsquo; art, and the difference between &amp;ldquo;Art&amp;rdquo; and &amp;ldquo;Craft&amp;rdquo;. &lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;Today, I made a sandwich.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I gave it thought.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;There was a process involved.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I am a working artist&amp;hellip;&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;But, is it art?&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I would argue, &amp;ldquo;No&amp;rdquo;.&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;Many would argue that Pollock&amp;rsquo;s paintings are not art, but just paint dribbles.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I would disagree, as I see the silhouetted space created through their juxtaposition.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Someday, I hope to be able to see the &amp;lsquo;figures&amp;rsquo; and &amp;lsquo;text&amp;rsquo; he painted in the air like Mir&amp;oacute;; before gravity took the paint from his tools to the canvas below&amp;hellip;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;Similarly, Duchamp elevated many objects to be &amp;ldquo;Art&amp;rdquo;, by their frame of reference&amp;hellip;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;The steel that I am about to grind after this posting, that [hopefully] will be good enough to be considered art.&lt;span&gt;&amp;nbsp; &lt;/span&gt;I say that, within the context of a critical eye, as perhaps the core to something manifesting itself to becoming &amp;ldquo;Art&amp;rdquo; is belief in a work being &amp;lsquo;artistic&amp;rsquo;; which would therefore vary between one viewer and another&amp;hellip;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt; &lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;Everyday, I am inspired by both the amazing and the drab.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;As I know, that even the &amp;lsquo;crap&amp;rsquo; was someone&amp;rsquo;s vision.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;They spent time, passion and perseverance to seem it into reality.&lt;/font&gt;&lt;/p&gt;&lt;p style="margin: 0in 0in 0pt" class="MsoNormal"&gt;&lt;font size="2"&gt;I just might not agree with their aesthetic impetus&amp;hellip;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;span style="font-size: 10pt; font-family: Arial"&gt;I look forward to your perceptions&amp;hellip;&lt;br /&gt;&lt;br /&gt;Ciao,&lt;br /&gt;Fredrick&lt;br /&gt;&lt;a href="http://www.fhzal.com/"&gt;http://www.fhzal.com&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;

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