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inspired by an old masterjodi said May 17, 2006, 12:38 PM: |
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I saw my first exhibition of a “grand master” this week. I saw a Picasso exhibition at our national gallery. I had only ever seen works like these in books before (not the same thing AT ALL) I was so excited (I didn't sleep at all the night before). I was so afraid I would be disappointed. I wasn't. The exhibition was focused on studies and preparational drawings. There were some paintings but no “masterpieces” or 'big works'. I was so glad to be able to see the way he applied paint and how his mind worked in studying and concluding work. It was fascinating to follow his process to an extend. What was strange to me is how the work (Picasso as a whole) became real to me. It was as though I believed it for the first time. The work was amazing yet I didn't feel so far from it any more. I felt like it could possibly be attainable. It was real and tangible (I didn't touch it… I wasn't allowed to cross the black line! heehee). I realized for the first time that I might be part of this world. Part of the art world. The point is: I really think it is worth the time to see the work of one of a person's heroes. I feel less afraid and more excited about my proffession. Anyone had similar experiences? |
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Re: inspired by an old masterBradley said May 20, 2006, 12:31 AM: |
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” The point is: I really think it is worth the time to see the work of one of a person's heroes. I feel less afraid and more excited about my profession” I wholeheartedly agree. Seeing Georgia O'keeffe's paintings years ago at the Hirschhorn was a shocking experience. It was the first time I stood in the presence of a piece of art done by someone I had intensely admired from afar through the reproductions in art books. It was unreal to see these things out there on the wall in front of me. It also relieved some of the anxieties of looking at art in a book or in a print; I could see her structure and the scaffolding of her techniques. Pencil lines that existed underneath, textures that were far more human (both flawed and more delicately riveting) than reproductions ever allowed me to see. It humanized her painting and made me feel closer to her art and to my own ability to be a creative person. |
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Re: inspired by an old masterjodi said May 22, 2006, 8:08 AM: |
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Yeah! the pencil line's etc… amazing! I loved the fact that I could see the planning of the composition of the work in the way he worked with the pencil/charcoal It didn't just come automatically. I love that. Thanks Bradley, nice to hear of a similar experience. I would LOVE to see Georgia O'Keeffe's work, I have also only see the printed versions. Man, there is so much to explore in this world. |
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Re: inspired by an old masterStephen said May 26, 2006, 6:40 PM: |
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Yes there is ,and don't forget to open your eyes to the very real artists in your own lives. The context of the MUSEUM ups the anti does it not ? “Couldn't sleep the day before” There are hundreds of incredible artists whose worthy works will never see the inside of a museum (at least not during their lifetime). Poor Van Gogh is the classic example. He never sold much during his relatively short ,difficult life (except to his brother )bless him, but he kept at it and we now ,150 years later recognize his genius… |
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Re: inspired by an old masterjody said Feb 15, 2007, 6:36 AM: |
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The first time I went to the National Gallery In Wahington DC, I flew through the halls looking for the Vermeers. I was so impatient to see 4 Vermeers - all at once. When I did find them I was first taken aback at how small they were. When viewed in a book or on poster, they seem larger than life. When seen in person, they were like small gems - glowing with an inner light. I stood in front of them and literally wept. I stayed there until a guard took interest in my lingering. |
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