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DIVING DEEPER: A Writing Workshop

Do you feel compelled to write,  but something is stopping you from getting on with it?

Do you feel you have a story to tell, or simply something 'to say' but don't know how to start, or how to continue?

Are you looking for a deeper connection to your self, or a sense of fulfilment?

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Post responses to the assignments from the Assignment Archive room here; if it is a response to a screenwriting/playwrighting assignment, post in the screenwriting/playwrighting room.
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Sandra : Inspirational Ambassador
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  rudyan : quasar

Music Muse: Oboe & the Trympod

rudyan said Jun 21, 1:39 PM:

 

They had been arguing for ever, it seemed, she and the trympod.

Trumpet, she reminded herself. We don’t want people to think we have lost our sanity forever. Which they would if they knew this about our self, that we make up words that we think are better suited to things than the dictionary words.

English is such a stupid language, she thought. And she had heard from others who were like her that every formal language was like that. This is why there were, what did they call those sort of half-languages, languages that were a little of this and a little of that? Not dialect, she thought, patois? Something like that? Well, that sounded like a real word in a real language actually, maybe, probably French, but for all that, it was a good word. And if that wasn’t the word after all, it would be her word for it after this. Patois. She tasted it on her tongue. Yes, she nodded for no one to see. Patois.

She and the trympod had been arguing again this morning as they practiced their parts for Sunday’s concert at the retirement home. The trympod had sounded a note that was not only strident, as usual—that was one of his main problems, even with a mute on the end of his long nose he still sounded strident— Now there was a good word, she interrupted her thought. Strident. And mute too. Those were words that you could hear and get a hold of just from the sound of them. No guessing about what they might mean. Every day a new word comes up from somewhere, she thought, and then: But I only keep the ones I like and for the rest I make up a word that fits better.

Anyway, the trympod had sounded a note that was strident as always, but it had been off as well, just the teeniest tiniest bit off, but she knew it was off. Someone once said of her that she had the perfect ear—or was it perfect pitch? Perfect ear made more sense to her; she had always thought secretly that her ears were not perfectly formed at all, they had sort of an odd angle to them, the way they stuck out. No, neither one of her ears were perfect. But, anyway, someone had said she had a perfect whatever and she believed it. She knew it to be true. And there was no doubting, the trympod was off. But of course, he argued when she told him—well, she guessed she had more or less accused him of being off, and maybe that’s what he was really upset about. But on the other hand, he did pride himself on never being off, and for that matter, never being wrong either.

So instead of correcting the note, he had gone off in a pout, blowing a downward spiral of notes that were not only even more strident than usual, but they sounded like a very rude noise, sort of like somebody blowing a raspberry at you, if you can imagine a raspberry being blown that decreases sharply in pitch.

Raspberry, she thought. I don’t know why they call it a raspberry but I like the sound of that word so I haven’t bothered looking for a replacement for it yet. But raspberries are such beautiful, succulent red fruits, all those little seeds and the sections of fruit pulp laid out nicely like little cells joined together so when you put one in your mouth you actually got an amazing taste burst, no, series of taste bursts, that sort of blew you away. Well, maybe there was an argument for leaving the raspberry sound—really like a vocal gesture—for not coming up with a new name for it. But why, she wondered, was it used for a rude vocal gesture when there was nothing at all rude, but really rather wonderful, about raspberries, the fruit?

  Sandra : Inspirational Ambassador

Re: Music Muse: Oboe & the Trympod

Sandra said Jun 21, 7:29 PM:

 

I'm facinated by this story. This lovely oboe is such a character - I feel I'd like to curl up with the whole book and find out everything. I loved the word / associations - the thing about made up words made me smile because I'm often doing that - I can't remember the 'right' word, or I mix things up completely  (especially proverbs or sayings) getting it quite wrong.

I often skim by titles, and I thought at first that this was a human I character. It could just be me, but I think I'd like something in the piece which 'shows' her oboe-ness…?

So much that I liked - the relationship between the two, the bit about her perfect/not so perfect 'ear' – the way her mind  works, unfolding, revolving, tumbling from one thing to another.

I think I mentioned in a comment to one of Leigh-Anne's stories how I very much enjoy and feel inspired when so-called non-concious things are given voice and character (eg flowers, the trumpet/oboe).

I”m curious about how this piece flowed from the assignment - was in in response to a particular piece of music? I'd love to know what piece!

Fun, delightful story, Ruth. I could happily read much much more. I'd like to see this oboe in a 'scene'…

Love,
Sandra

  rudyan : quasar

Re: Music Muse: Oboe & the Trympod

rudyan said Jul 3, 12:10 PM:

 

Sandra: I”m curious about how this piece flowed from the assignment - was in in response to a particular piece of music? I'd love to know what piece!

I was listening to Handel's Water Music, and have no idea how this came out of that. Maybe a response to my feeling that the music takes itself way too seriously, and especially the brass seems so pompous… Ergo, the trympod, er, trumpet. As for the I-character, I didn't have 'oboe' in mind writing it. In fact, the identity of the I never revealed itself (in so many words) in the writing, but when I thought about it at post time, I somehow knew she was an oboe. So I put it in the title to make up for its absence elsewhere.

And actually, this was just the beginning of a larger piece, a more or less complete story I wrote over an hour. I didn't want to post up the whole thing because of its length. I'm thinking now that it would probably have made more sense to post it regardless, given the first part is mostly just her thinking; no scenes or anything. I'll post the rest below.

Thanks so much for your feedback!

Ruth

  rudyan : quasar

Re: Music Muse: Oboe & the Trympod (cont'd)

rudyan said Jul 3, 12:18 PM:

 

Well, the trympod was still holed up somewhere, wherever he had taken himself off to. And probably sulking too. He thought she should always think of him and treat him as if he was Mr. Wonderful. He could certainly think that if he wanted to—it was a free world after all, as those two-leggeds like to say. Haha, that’s funny, they say it a lot, but they certainly don’t act like they believe it’s true. But that’s another story. Anyway, the trympod could think what he wanted, she was not going to call a spade a— a mouse, no matter how much he thought she should. He had the biggest ego she had ever seen anywhere, in people, in animals, in instruments—and believe her, there were a lot of big egos among instruments—and she was not going to go for that. His ego did not need building, that was one thing she knew for sure.

She sighed, wondering if she should go after him and let him know lunch was ready and waiting for him. No, she thought, let him sulk as long as he wants to. I was right and he was wrong and that’s all there is to it. He can’t have everything his way. And lunch will keep, salads and fruits and toast with mandarin-peach marmalade on top of margarine. Becel, of course, the low fat version.

That was another bone of contention, of course. That she used Becel and in general, low fat versions of foods as much as possible in making their meals. He had argued that he was down to skin and bone and had no energy for blowing any more. Which today’s little snit certainly put the lie to. But she had talked to him about his heart, and poked fingers into the little gut he had.

Well, it’s just little, he had said, and I’m young—nothing is going to happen to any heart when it’s my age.

It’s little now, she had countered, but you didn’t have even a little one two years ago, and who’s to say that now you’ve started on one that it won’t be bigger in another two years and that it won’t balloon when you get to be middle-aged? Look at the buffoon, for example—

Bassoon, he had corrected her. He was into using what he called correct language. She guessed it could only be expected, him growing up in the Bronx as he had, and being ridiculed from left to centre when he went off to Julliard to study voice—his voice, that is. Trympod voice. Funny that humans thought voice refers only to theirs. Well, it’s their collective ego, of course, it’s bigger even than the trympod’s.

She finished up her skim milk, got up from the table, and put the glass and her salad plate into the dishwasher. The trympod was just going to have to do those things for himself if he ever came out of his sulk and if he ever ate his lunch. She was done with doing for him. She didn’t care if he sulked for ever, really. And if he continued to grow that gut—she hadn’t told him this yet, but she was in a mind too, especially after today’s performance—if his gut got much bigger she was going to cast her eyes elsewhere, and who could blame her? Look at that slim claret for example. Clarinet, the trympod would have corrected her if he’d been here to hear her thoughts. She just knew the claret wouldn’t be caught dead with a gut. Not ever. Not in a million years. And really he had a much sexier voice too, come to think of it. Not as sexy as the sexaphone, of course, there could be no argument there, but she thought and her parents and all the elders had always warned against that sort of smoothness in a person—er, instrument. No good could ever come of a relationship with a sexaphone. First of all, it would be short, because that was a lifetime *bachel* if there ever was one—a smooth-talking, one-lining sex machine if there was one—an in and out of the sack and what did you say your name was and wham bam thank you ma’am sort of instrument. No, she was staying clear of the sexaphone, that was for sure.

She sighed again. For all she could go on in her mind about dumping the trympod and finding someone else, she wasn’t sure her heart and mind would ever agree on that. And she knew that in the end, it was always her heart that would win. But really, he could be such a trial. If she didn’t know better, she’d think he was going into his middle-age crisis. Of course, she knew he was nowhere near old enough for it to be that. But she did think that it would not do to start catering to his ego too much. And she knew it wasn’t in her to tell him he was right and she was wrong when she knew for a fact that it was the other way around. So no, she wouldn’t go seek him out and cuddle him and make him feel better by massaging his massive ego boo-boo. That was the last thing he needed. And the last thing she needed too, not to mention the last thing their relationship needed. She knew that giving in to his every whim and temper tantrum would make her hard, render him more of a child, and send their relationship into a downward spiral very like that raspberry he had blown earlier. And once said relationship had started that downward spiral there would be no rescuing it. No band-aiding it up again. And then she really would have to start looking for someone new.

She closed the dishwasher—time enough to turn it on later—and went into the bathroom to gargle and brush her teeth. She was going back to the practice and he could show up if he wanted to or not as he pleased. She half hoped he would hear her sweet tones and be wooed by them into giving up his snit, but she wouldn’t count on it. The thing is, they could be so good together. They were so good together, when they were one, when they were not arguing, fighting, or when he was not off sulking somewhere. She gave her mouth an extra rinse to make sure she would be making the most dulcet sounds, ones that would be sure to entice him to come out.

Trumpet, he shouted.

It made her jump. She hadn’t heard him coming into the practice room where she had resumed her seat behind the music stand. She hadn’t even played a note yet, she’d just found her place in the music where they had left off when he had retreated in a huff.

She landed from her jump awkwardly, twisting her ankle a little, she thought, for when she stepped on it, it couldn’t take her weight and she crumpled onto the floor, her voice sounding a little note of distress. He was at her side in a moment. Come to think of it, that you could always rely on, that he would come to her rescue if she hurt herself. Maybe she should have thought of that earlier, he wouldn’t have stayed away so long. But no, she reminded herself, that was not her way, she didn’t believe in manipulating like that.

He helped her tenderly to her feet and into her chair, then kneeled in front of her and put his arms around her.

Are you all right? he asked. Shall we call it a day instead of continuing our practice?

No, no, she said, giving him a little kiss on his starting receding hairline. Thank you, dear, I’m fine, I’ll put a little ice on the ankle later but I’m okay to practice, just sitting here, no weight on it at all.

She beamed on him. Really, he was such a dear. Shall we continue then?

Let’s roll, he said, and blew the note exactly right that had been off before and that had been the cause of his going off in a sulk.

It was exactly on, but she forbore to say so, she knew from experience that it was best just to let it go. She pursed her lips and blew her own voice, and the sweetness of their togetherness was obvious in the harmonious sounds that was the meld of their separate voices. Her own voice was soft and so sweet, almost too sweet, she reflected. It was really so much better when mixed with a little stridency. Nothing like a sweet and sour combination to get the taste buds going, or the juices flowing.

  Sandra : Inspirational Ambassador

Re: Music Muse: Oboe & the Trympod

Sandra said Jul 3, 3:16 PM:

 

I loved how this unfolded…and I liked hearing a bit more about the process that led to the story. It's not long at all (not compared to some of my pieces….). I'm glad you posted it, so much I like!

I very very much like the play on instrument names, the description of the sexophone.. I think the whole orchestra could be included in this way. very funny.

Interestingly, as I read on, I thought about how it would be if the instruments were edited into 'people'  - hardly changing a thing other than the reference to humans etc. I wasn't sure if the very 'human' actions described translated into instrument-life. I did feel that the characters of the Trympod(player) and Oboe(player) became more clear and developed for me by the end, and I could 'see' his little tubby stomach, (I'm sure he has a balding spot he covers with a few long hairs)..her sweet but prissy mouth etc. ? Just an idea. As it is, for me it is almost a children's story ( have to edit out the wham bam bit I suppose!), I 'see' pictures of instruments with legs etc. Hmm, now my thoughts are running away with me and I'm seeing a funny animation that this could be the story behind..Perhaps it's time I went to sleep!!

Great read, thanks Ruth.

Love,
Sandra

  rudyan : quasar

Re: Music Muse: Oboe & the Trympod

rudyan said Aug 5, 7:51 PM:

 

Thanks, Sandra, I love when your thoughts run away with you in this manner. :) And I could visualize the animation too, when you wrote about it.

I didn't have children in mind when I wrote it (children as audience, I meant), but when I read it to a (real-life) friend here on the Island, she too suggested it would make a cool children's story.

Thanks for your support.

Ruth

  "Mudge" : Curmudgeon in Chief

Re: Music Muse: Oboe & the Trympod

"Mudge" said Aug 1, 3:19 PM:

 

Two words- delightfully allegorical.
Well, maybe some more words to go with the first two.  (We ramble as we get older. )  I read the first part a couple weeks ago then lost my place.  I'm really glad I had a senior moment because the second part really completed the story for me.  On the one hand we are contretemps en musique, the other a billet deux.  If fact, both sides are different aspects of the same love story.  The -I- character experiencing life's petty dissatisfactions just short the point of no return.  I liked the comparison of bitter and sweet in the same bite.
Thanks for sharing this!
phil

  rudyan : quasar

Re: Music Muse: Oboe & the Trympod

rudyan said Aug 5, 7:41 PM:

 

Hey thanks Phil, I'd forgotten I had this out there.

On the one hand we are contretemps en musique, the other a billet deux.  If fact, both sides are different aspects of the same love story. I like that, I like the way you put it.

Thanks very much, glad you came back to comment.

Ruth