| |
Well, I am just amazed that you all took your time away from writing your own beautiful pieces to read mine. Thank you, truly. I am not surprised that you were confused, Ruth and Ayla, at the beginning because it is not the “beginning” but way up into the 18,000 words area of the story, about chapter 6 or so. Believe me, all of the characters have been introduced earlier on, so that doesn't trouble me. Not one bit, and I'm glad you mentioned it. There are many characters in this story, a circus event of a tale.
Also, at the beginning of this next excerpt, there is a bit of telling what happened in the character's day, and it's there as a recap. I think it's necessary, but who knows in the end.
Lady for a Day (cont'd)
At exactly 2:00, Charisse, who was glowing as she watched the steamy frames of this Mexican movie with subtitles chug through the loops and across the lens of her projector, felt a lump in her throat. For a woman who had begun her day too early when the phone rang in the middle of the night with her ex –boyfriend on the other end, begging her to return, and then moved on to an early morning flirtation with the next-door neighbor over a flat tire and daydreams of romance novel covers, to a mid-morning meeting with the man that she had fallen in love with while watching him be interviewed on TV, she had no idea why that lump in her throat had formed. It was anxiety, for sure, and possibly a premonition that something was about to go terribly wrong, but it wasn’t defined. She tried to ignore the muscles tensing in her back by immersing herself into the movie even farther, cutting Lupe Velez out of the picture entirely and casting herself as the heroine. When she did this, she the quickly realized that she could also replace Antonio Carril with his grandson, who was presently older than he was at the time of his death.
Charisse had created a fantasy world in almost an instant, and soon, she had forgotten all about that uncomfortable tightening in her throat. She stared at Antonio Carril’s face, those same penetrating eyes. She imagined the smell of him, tequila and sweat and of course, horse, since he had just ridden back from town. There was another smell, his smell, very personal and all man. Even through all of the layers of scents the day had heaped upon him, she knew that up close, there was a lingering fragrance of clean about him. Yes, he would wash up nicely, Charisse assured herself.
Antonio Carril’s grandson had left her office just a few hours before. She still did not know very much about him, except for the fact that he was a mayor of an out-of-the-way California desert town. The town was the setting of his grandfather’s last movie, and he looked like a dead ringer for his handsome movie star grandfather. When she asked him his name, he handed her a business card that read Gabriel A. Carril. She wondered if the name had been shortened from Carrillo, and if so, why? Was it because that was business as usual during the classic studio era in Hollywood? She wasn’t sure if it was a shame or not, to change a family name. She only knew that it had lasting repercussions, stripping future generations of their true identities and instead providing them with a more acceptable, generalized, maybe even sanitized form of a name. Or maybe a made-up name that just sounded good to some studio exec.
She also wondered what it was about the film that was so important to the town that Gabriel A. Carril mayored. She could tell by the way that he rationed his smiles that he was a serious man, and so his desire to have the movie restored had to have very important reasons driving it. He hadn’t seen fit to tell her that much yet, but he had promised before leaving that he would be in touch, and that soon, everything would be explained. For right now, he just wanted her to work the film into her schedule. He, of course, had no idea how easy that would be since Charisse and all of her colleagues with the exception of Azure, the tour guide, were unfortunately only working a four day week. So, Charisse’s Fridays would be dedicated to the film, “Milagro de la Tierra.” She wasn’t even sure if she was going to be getting paid for her work, as Mr. Silverman had clearly told her not to worry about those small details at this point. However, there was so much about this project that made Charisse not care at all about compensation, the most obvious of reasons was that as long as she was working on restoring the film, she would be in contact with Gabriel Carril, the miracle man who had popped out of the television and onto the museum stairs.
In her car, on the way home that evening, she continued to replay the day from the moment that Gabriel Carril had caught her attempting to meditate in the middle of the boardroom table. There was something about him, and there she was, going back to Tesla and the theory of electromagnetism, but she really felt a pull towards him. It was so strong. She didn’t know how she managed to be in a dark room with the man without locking the door and tearing his clothes off. He made her go weak at the knees. It was an expression that she had never really understood until today when her legs felt like lasagne noodles in his presence. Only once before had she experienced noodle-legs and that was at the ice skating rink on the evening she had an unfortunate anxiety attack and forgot forever how to balance on the ice. Since, she had gone back several times, usually shortly after the winter Olympics, to try to regain her confidence, and she had managed to get on the ice and skate around once while holding onto the sides as much as she could, but she was not about to regain the talent she exhibited in the 4th grade when she was the only one in her Girl Scout troop who had an aptitude for skating a figure 8 and doing simple jumps.
The 10 freeway had been fairly clear this evening, as was the tunnel that marked the beginning of the Pacific Coast Highway. Charisse enjoyed the PCH always, as she sniffed the salty seaweed-laden smell of the ocean. She was sure that in some other lifetime she had been a siren of the sea or the sad wife of a fisherman who never returned after a sullen storm swept his boat away in early November. She had always had pictures floating in her head of a small New England fishing village where painted wood signs marked the Main Street businesses, and the docks were filled with men in rubber boots and nets full of the daily catch and life preservers with names like “Betty Jean” printed in red were fastened to fishing boats of all shapes and ages. She had a memory of a light house, of waiting there, the waves crashing harder and harder into the rocks below, and the misty salt-air rising up from the sea like upside-down rain which met the pouring rain that was falling and concerned her so that she had decided to just wait there for the boat she wanted to return to be seen on the horizon. This was not her life. She had not even been past New York, no less to New England, but it was a life she remembered with vivid realism, and she had no idea why.
She had even asked her grandmother, the great Iolanda Del Villan, renown psychic to the rich and famous that resided West of the 405 freeway, why she had these memories. She knew by the far away look that would cloud her grandmother’s grayish brown eyes and the way her lower lip would quiver ever so slightly that she knew the reasons. Yet, her answer was always the same. “They are your visions and eventually their meaning will unravel for you. For me, I am not sure.” “Have we ever lived in New England?” Nona would always turn her head, her posture so perfectly straight, giving herself this austere presence. She seemed untouchable somehow. “Have I ever lived in New England?” Charisse would continue, softer, almost embarrassed to persist.
Charisse did not have to think about where she was going to get there. Her car probably would have made the wide right turn and continued up the curvy route into Pacific Palisades without any help from her at all, since she had grown up there, and classic cars had long memories. She did not have to count the streets she passed to know where to turn, even though one overly landscaped and gated manse could have the tendency to look just like the next. She was accustomed to pulling her car in and parking it under the shade of the Meyer lemon tree that her father had planted for her when she was four years old. She knew that it was exactly 77 steps from her parking spot over the driveway and up the walkway to the front door. She remembered each paving stone that wobbled, and the ones that were cracked by earthquakes or shriveled during El Nino years.
She knew what it was like to walk into the tomb of a home that her family kept even though it’s usefulness at this point as a place to “live” seemed doubtful. She understood why the structure hated light, and kept cool even in the most agitatedly humid days of August when the Santa Ana winds liked to bang into town and perform their haunting song and dance. She had decided long ago that if she was ever left this house in her mother’s will, she would sell it’s cold and foreboding miserableness and never look back.
As she stuck the key in the hole to unlock the overbearing front door, the lump in her throat suddenly returned. Something was wrong, not right at all, and she wished way down to the pit of her stomach that she had the powers that Nona Del Villan possessed, because she didn’t know what it was, and she didn’t want to walk into a disaster blindly.
The foyer was dark and painted with looming shadows, one cast across another, layers of them so deep that Charisse could hardly force herself to cross into the great room. It was dark, too, but in a much more pitiful way. Here was the room that her parents used to throw their big parties in. She could not name the big names of the people that had been in this room, and now, here it waits, sad, forgotten, wondering if anyone will ever come and drink and dance and romance inside of it again. These walls could talk, fill the pages of the Hollywood Reporter, only no one came to listen anymore. The quietness Charisse passed through felt deafening.
She began down the hall, but from somewhere, maybe the place where she was about to go out of her mind, she could feel this beat, these faraway strains of Rosemary Clooney, “Hey, mambo. Mambo Italiano. She stopped, froze. Nothing. She listened for several seconds. Nothing. So she stepped. “Hey mambo, don’t wanna tarantella. Hey mambo, no more a mozzarella.” She stopped. There was laughter and clinking of glasses. There was so much more than she heard at first. It wasn’t even Rosemary Clooney, it was Dean Martin, and beyond that, it was a remix so it started and stopped and scritched and scratched in an infectious way. Maybe it was Marlon playing around. Charisse raced toward the family room. She didn’t know why it was important to her, but not even Edgar had met her at the door this evening, and there was the matter of that lump in her throat.
At the entrance to the family room, Charisse eyed the coffee table, bottles of wine and a spread of fried cheeses and mushrooms and baskets of breads and boxes of pizza. In a bowl in front of Edgar, who appeared to be passed out, was a deep red substance, probably a chianti or marsala.
Marlon Brandon was dressed like a boy for once, although she couldn’t go as far as to say a man. He was cutting a rug with Nona Del Villan who was laughing and smiling, even singing the chorus, her web-like long hair freed from its bun and twirling wildly as Marlon dipped her and pulled her back again. Maybe Charisse had seen her grandmother smile at a wedding or a birthday party occasionally, she thought. She couldn’t give an exact instance. Marlon’s parents, Mauro Silvestri O’Quinn and Stefania Del Villan O’Quinn were enveloped by the overstuffed sofas, their legs wrapped around each other suggestively, as if their attraction was as strong as the first day they met. On the opposite sofa sat – oh, wow. This was the reason for the lump. It had to be. Her mother was awake, now, after all of these years after her dad died, and all of the years before that she blamed on her nervous breakdown. Years upon years when Charisse wanted to ask her what to wear on her first date, or what she should study in college, or what she should do because Mark wouldn’t consummate their relationship and her biological clock kept right on ticking. Now, the woman was awake, and smiling and laughing as everyone was. Even Dean Martin seemed to be having fun singing about having an enchilada and a fish baccala, that was, until she walked in. It was Marlon who noticed her first, and he tapped his Nona on the shoulder and pointed, and then it was like the needle scratched across the record. It was startling, uncomfortable, and everything stopped.
“What are you doing here?” Silvana asked, surprised to see her daughter.
The looks on everyone’s faces, mouths gaping, unsure of what to say or do made Charisse want to cry. She reached down and hoisted her drunken bulldog into her arms, and wiped her nose, which had started to run like a two-year-old childs, and felt her cheeks burning from the inside out.
“I really don’t know,” Charisse replied, and she meant it. She wouldn’t stay to crash their celebration. Her feet wouldn’t let her. She couldn’t wait to get out of there and down the hall and lock her door and call Mark and ask if she could come back home. How could she talk to a mother who abandoned her without even really leaving? How could she mend a rift as wide as the Mediterranean Sea?
|