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DIVING DEEPER: A Writing Workshop

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  Sandra : Inspirational Ambassador

Sandra's NaNo thread - excerpts ii

Sandra said Nov 10, 8:28 AM:

 

first thread here

Day Ten

The end of July ran quickly into August and August was a mad flurry of preparations and tantrums. I wanted everything to be perfect - for university, for my trip to Greece, for my new Life, for seeing Terence again. I suddenly needed a whole new wardrobe, not to mention textbooks and fountain pens and lip-gloss and long-lash mascara and bank-breaking Klorane mink-oil shampoo. But Klorane makes my hair really silky, Mum! I screeched, when she insisted all I needed was Head and Shoulders, reminding me that my hair had a particular 'aroma' if I didn't wash it frequently.
    I chose and re-chose objects that would remind me of home, that would define me in the eyes of new friends. It was a wretched process. I couldn't decide. My mother stood there watching me, her arms crossed, foot stamping.
     You have to fit into one trunk. I can't afford to ship more than one trunk, you know. You've got enough clothes to outfit an army squadron for Christ's sake. Throw some of them out.
    I shook my head, biting back the tears. I was surrounded by a mountain of my favourite things, none of which I wanted to leave behind. Should I take my collection of tiny perfume bottles? My flute that I had given up but might start again and it was sort of romantic looking? My collection of Russian novels that I'd never got round to reading but made me look serious and interesting? What about Zak, the stuffed lop-eared dog I'd had since I was seven? Or Hannibal, the moth-eaten brown teddy-bear my brother had given me when our cat of the same name disappeared - Just off finding elephants, he'd said, trying to stop my weeping. I certainly couldn't leave my photograph album, filled with badly framed and redundantly titled images: my brother at fourteen, dressed up in my mother's mink coat, looking more beautiful than a woman, 'Mark in a mink coat' in my childish handwriting underneath. Me, four years old, in my Aunt Emma's arms, holding each other so tightly we both thought we'd never, ever let each other go. This one was untitled. I knew what it meant. It meant love. The kind of love I'd never have for or from my mother. I sometimes thought Emma saved my life. Another photo, faded and curling at the edges, of my now dotty grandmother, cigarette pointing to the sky, her thin beige-fringe flipped up at the front like hand, the Arc de Triomphe at a crazy angle behind her. This one I had titled, 'Gran smoking with the ark de triomf'. We were all in Paris on one of my mother's attempts to find us a new home. I wondered, what if? as I flipped the pages of the album. I'd be Parisienne, off to the Sorbonne perhaps. I had never forgiven my mother for choosing to-hell-and-gone Donegal with its howling winds and mouldy cottages over a life in France. Until now. If we had lived in Paris I probably never would have escaped into Mary Renault novels about Ancient Greece, I'd never have gone to Cheltenham, I'd never have met Terence.
     I tucked the thought of him away. I'd had to force myself not to day-dream about him every minute of the day and night. It was a kind of torture, pulling myself away from those dreams. But I had to. I was convinced I'd jinx myself, that the happiness, the almost syrupy ecstatic feeling of anticipation that welled up inside me whenever I whispered his name, whenever I shut my eyes and his fine-boned face appeared, would be cursed if I imagined us together. I didn't even know if I would be accepted at Bristol. I felt like I'd vomit when I thought I might not be. I shut the album, put it on the 'yes' pile. A small black and white photograph fluttered to the floor. I picked it up. My father, holding me high in his harms, his handsome face beaming, my tiny-girl eyes scrunched up in a paroxysm of delight. I slipped the photograph back inside the album. Maybe I'd show it to Terence. Maybe I'd tell him what happened.
    I managed to distract myself from thoughts of Terence with all the packing and sorting and yelling at my mother. None of my clothes seemed right, either for looking dashing and intelligent at university or for frolicking on golden Greek beaches and exploring the Parthenon. I wished Alison was here now. She'd know what I needed. She'd lent me some of her clothes at the Summer School when she'd caught me rinsing out my cheesecloth blouse in the bathroom. I only had two outfits, a short, polka-dotted 60's style dress that had been my mother's and had come back into fashion, and those shiny black jeans with the cheescloth top. I was bustier than Alison, but she had a suitcase full of fetching scarves and wraps to cover up my popping out of her pretty tops.
    Once I'd got home we'd telephoned a few times, but she was always breathless and in a rush, in her own frenetic preparations for Oxford. You can always buy stuff when you're there, she'd said, not making me feel better at all. I wouldn't know where the shops were. I couldn't arrive for my freshman orientation wearing my thick frumpy sweaters and baggy jeans, smelling of turf-smoke and mildew, I had to arrive fully new, like Aphrodite from her shell. You'd look gorgeous if you wore a sack sweetie, she said. I gave up. She didn't understand. Her family had money and breeding. I had nothing. My mother made 'it's time get off the line' motions with so we said goodbye, promising we would visit each other in holidays, promising we would write, telephone, promising we would never forget each other.
    My mother stoically sewed cotton wrap-around dresses from Butterick patterns and shortened a selection (over many spilt tears and arguing) of her own warmer jackets and dresses while I went itsy-bitsy bikini-shopping. The letter of transferral from St. Andrew's to Bristol arrived two days before I was due to step on the Magic Bus from London to Athens. Conditional upon a meeting with the head of the department of Classics. Miraculously the meeting was set for two days after I got back from Greece. Just three weeks before the university term started. I wrote Terence a letter, telling him when I'd be coming, that I'd need to stay over one night.  I could have telephoned him, but I was too nervous. I wrote and re-wrote the letter, trying to make myself sound adult and breezy and cheerful and not mindlessly, desperately in-love with him, certain he'd have forgotten me, certain I wasn't really what he wanted. I decided not to stay over longer. One night would be tantalising, one night would be a taste neither of us would forget, a little hors oeuvre for the main event in September. Too much and it might spoil things. The truth was I was still absolutely terrified. We can go as slow as you like, he'd said. I took him at his word.

Greece was everything I wanted it to be. From the mad, bad, crazy 'three-day-non-stop' bus journey there (we arrived a day late due unscheduled diversions and pauses while our furious and often inebriated driver got lost in Brussels, had a burst tire near Ljubljana when I spent a brief but steamy bus-rocking night in the arms of a young Frenchman named Jules) to my wandering around the streets of the Plaka, to the sweaty climb up the Acropolis feeling superior to the throngs of red-faced, camera-laden tourists (I knew what a triglyph was, and they most certainly didn't) to my seventeenth birthday with Manos, my ex step-father. He'd metamorphosed from the boyish, anti-establishment, volcanically jealous 'greasy Greek' my mother had married and divorced in the space of one horrible, argument and sex filled year, to a portly and charming bank manager. He took me to Giorgios, one of Athens' most stylish nightclubs, toasted me with Dom Pérignon - 'only the best for my darleeng' - and had given me a pair of exquisitely beautiful earrings - a tiny ruby perched like a drop of blood on a circle of gold. You look like your mother only more beautiful, he had said when he first saw me. Sexy too, he smiled to the friend he'd brought, a young man with an enormous nose who spent every day of my three weeks there pursuing me. Hopelessly of course. My heart was taken.

I arrived back in Letterkenny confident, suntanned, slimmer and feeling a whole year older. Exactly as I planned. My trunk was ready for shipping, thanks to the final consolidation and careful folding of clothes by my mother, all we needed to know now was where to? St Andrews or Bristol? I felt so penny-bright and shining I never doubted I'd ace the interview. I hardly thought about it. I chose my clothes for the overnight trip carefully, but for Terence, not for the interview. I even charmed my mother into letting me borrow her Chanel No. 5 and her knee-high boots. She never wore them any more, the locals would have thought she was a tart. But they were stunning, deep chocolate brown with buttons all the way up the back. My Levis slipped neatly inside them, hiding their frayed hems. I washed my sun-streaked hair in Klorane, I plucked and tweezed and grimaced at a threatening pimple. I packed my A level results (all A's except for a limping over the pass-line E for Ancient Greek). I was ready. Heart in mouth I boarded the bus to Belfast, the flight to London, the train to Bristol. Eleven hours later, heart still in mouth, I lifted the brass hand hanging on Terence's door and knocked.

  drechanteuse : pompateur of love

Re: Sandra's NaNo thread - excerpts ii

drechanteuse said Nov 10, 1:39 PM:

 

Oh, Sandra. I have been reading along and not saying anything because my brain feels like cottage cheese after my weekend of horror with my insignificant other, but this excerpt really got to me. You don't know how many times I have tried to write about a love like this, and I have always gotten the comments back that people couldn't understand the motivation for the love. Here, you have so brilliantly captured the feelings a young woman goes through during every waking breathing moment when they are in love, no matter the motivation. I am captivated by every second of it, and the voice is so “there”, present.

I hate to think you have lead us here, built us up for Sue's fall, but it is so wonderfully and intricately woven like a house of cards, and now I am so afraid of what will happen next. I almost can't bear the suspense.

xo
Andrea

  ayla : Illuminated Skye

Re: Sandra's NaNo thread - excerpts ii

ayla said Nov 10, 7:39 PM:

 

Here for my daily fix of Sandra and look how you left us hanging.  How rude!  (just kidding).  Sigh.  I guess I'll have to wait until tomorrow.
xo Ayla
P.S. I'm not giving much critique on Nano writes because we're all just supposed to be freefall writing and we'll probably be able to see the problems areas and gaps when we go back for editing later.  That said, I still want your comments about where to open up etc. when you read mine (only if you feel like it, of course) because they help me so much.  I don't think you need much help, love.  If anything shouts at me, I'll say so just because you asked but nothing has so far.

  Sandra : Inspirational Ambassador

Re: Sandra's NaNo thread - excerpts ii

Sandra said Nov 11, 9:14 AM:

 

Day Eleven.

An old Yiddish proverb says we are not old until our regrets take the place of our dreams. I find no comfort in this. I look back now, some thirty years later, and wonder what I could have done differently. Regret is a crippling emotion. I wonder if it is even an emotion. Like guilt it breeds on thoughts, thoughts that fester and build, scuttling about in a windowless, doorless room. There is no way out. Ever. I cannot turn back the clock. I cannot undo what has been done. Could I have, even then?

~ ~

A fresh-faced, tousle-haired young man opened the door. He looked right over my head, as if expecting someone else. I had a rush of anxiety - had I got the address wrong? The day wrong? What would I do? Did I forget to bring Terence's phone number? He was expecting me, he'd sent a short note in reply to my letter, just one line, “I'll be here, waiting. ever yours, Terence”.
    I, er, I stuttered, stepping back, shoving my hand in my bag to find my address book. I'm so sorry, I must have the wrong house.
    The man's eyes found me, settled for a moment, a steady, warm gaze.
    You're Susan. Come on in, it's cold out there, Goddamn I can't believe summer's over already, here, let me help with that, he said, reaching for my bag. He was tall, strong, handsome. A faint American twang to his voice. Relief flooded so quickly into me my knees buckled. He caught me by the shoulder, held me steady, his big hand like a bear's.
    Are you alright?
    Yes, I'm sorry, just tired, it's been a long trip, didn't sleep last night, haven't had anything to eat really since breakfast which was just a piece of toast with Mum because I had to leave so early and I couldn't handle the plane food, just a dry old bun with ham and I'm trying to be vegetarian well only sort of but they forgot I think and had nothing else and I didn't want the bun by itself it was like eating cardboard and… my voice a little girl's, my thoughts going, why on earth are you telling him all this? I pulled myself out of his grip, stumbled over the step into the house, trying to move faster than my voice, hoping I could run away from my verbal diarrhea. He grinned at me, hand now on my back, guiding me to the cupboard where I could hang up my coat.  I struggled out of it, wondering where Terence was, wondering why this man wasn't helping me, chastising myself for not having women's lib thoughts.
    I'm Aaron, he said, once I'd manhandled my coat onto a hanger and into the thicket of coats and jackets, some of them women's I noticed. Who lived here? Everyone?
    Oh. Well. Thanks. I'm Sue. Oh. Well. You know that already. Sorry, I. Seem to be a bit all over the place.  I swallowed. Patted my hair. Glanced at the pictures on the corridor wall. They were huge, overpowering, massive abstract slashes of black and red. Where's Terence? I said, trying to pull myself together.
    Aaron seemed to be enjoying my discomfort until I said Terence's name. His face shifted a little, grey eyes softening. He's lying down, resting. I'll show you your room and put the kettle on. I think there's some pasta left over from lunch, you can have that if you like, or wait for supper and just have some fruit? Bella's making her famous minestrone. As if in reply there was a great kitchen-like clattering from somewhere at the back of the house.
    Bella? Who was Bella? Belle. Beautiful. I felt a bit sick. Very tired. I had a blister on one heel from my mum's boots and the Chanel no 5 I'd sprinkled everywhere was now smelling like the bottom of an old-lady's handbag.
    Terence will be pleased to see you, Aaron said kindly. I smiled, and then blushed and then felt ridiculous. It seemed as if every thought I had was visible to him, his steady, grey-eyed gaze seeing right through me as if I were paper thin. And as inconsequential. Another clatter rose from the kitchen, and then I heard a soft humming, a woman's voice, something foreign. Italian probably. Minestrone. Of course. Stupid me. Another voice joined hers, also female, harmonising and then breaking off into laughter. God. How many of them were there?  I bristled, steeled my back, lifted my chin, and squared my shoulders. Perhaps there were a hundred Bellas and who knows how many Aarons but Terence was here (somewhere, lying down? What was wrong?) and, I was here. Finally. I had to manage. I would manage. I trod up the stairs behind Aaron as if preparing for battle.

    I'll let you settle in, come on down when you feel like a cuppa, Aaron said, the washroom is second on the left. And then he shut the door quietly behind him. He'd lifted my small blue case onto the bed as if it were a feather. I joined it. Sat there. Clasped my hands together. Slipped them between my knees. Squeezed until it hurt. I looked around. The room was small, wall-papered in lavender with a scattering of tiny, purple flowers. I sat on a single, bouncy mattress, as neatly made as a hospital bed. I wondered who had done it? Aaron? Bella? A maid? Surely not. Terence was a people's man. That's what Chris had said. I wasn't sure what it meant but I was sure it didn't mean having servants. The room was sparsely furnished. An antique dresser, topped by a pretty, oval mirror. A single bentwood chair, towel folded over. Lavender, to match the walls.  Over the bed hung a small watercolour, a bleak landscape, reminding me of Ireland. The side-table had once been a stool of some kind, now painted white. An inconsequential room. A girl's room. I forced myself up, I was frozen. From cold or anxiety I couldn't tell. I had switched my mind to blank. Solid, thick, like a shield. A snake of worry flicked through. Don't think, I told myself, standing up, don't think, just do. I opened my suitcase, found my wash things, put them on the bentwood chair. I peered at my face. It surprised me. I looked good. High colour on my cheeks, eyes bright. Hair shining. I peered closer, saw my mascara had smudged a little. I rubbed at it with my finger. Wished I had longer lashes. Maybe I should've bought L'Oreal. It had promised thick, extra long lashes, but my Mother said it was too expensive. I dabbed some Touch of Glitter onto my cheeks, smeared lip-gloss over my lips, my new strawberry flavoured pot from the Body Shop. I wished someone would come up with a lip-gloss that didn't get eaten in two minutes. It seemed counterproductive to make them taste good.  I put the pot in the pocket of my Levis for re-application later, but it made too much of a lump. I couldn't put it in my shirt pocket, it would look like a weird extra nipple. I was wearing a white man's shirt, one of my brother's. Folded up at the collar, pulled loose at the waist. I twisted around in front of the mirror, inspecting the folds. Adjusted them. Saw that my knickers were creased at the back, underneath my tight jeans. I yanked and pulled them until the pantyline looked neat. Brushed my hair. I'd had it trimmed in Athens by a woman with curling black nostril hairs. She'd done a great job of the cut, making it look sassy and thick, falling just below my shoulders. If you need money, she'd said as she blow-dried my hair, you sell. I buy. Very good price. I'd seen several over-dressed Athenian women, all gold jewellery and high-heels, with dyed-blonde hair, pitch black roots seeming to visibly sprout under my eyes.
    Big breath, now or never, I thought. I opened the door, checked left and right, wondered which room was Terence's (Aaron's? Bella's?), and then made my way down the stairs to where I thought the kitchen might be, taking in the haphazard arrangement of rooms and furniture as I went. There were teetering piles of books on threadbare persian carpets; huge leather pillows instead of a couch, a low, oriental-looking coffee table, littered with arty looking magazines, empty wine glasses, spent candles. A baby-grand in the corner, draped with a colourful throw, African, I thought. There were more enormous modern paintings. One wall, in what I presumed was Terence's office, was covered with theatre-posters: 'Terence Whyte's The Listener'; Terence Whyte's 'Crimes of Man'; 'Terence Whyte's Benedicte'. The room had a half-wall open to the living room. I wondered how he could work like that. I imagined gatherings of artists, all working together, him at that big, messy desk, the others sprawled on the living room floor shouting inspiration, lines, Terence's dark eyes wild, fingers tapping madly the typewriter. Could I be part of this? A fluttering told me, yes, yes, this is what I was meant for. This was my life, this would be my life. I heard a light cough behind me and shot round, straight into the arms of a bosomy, middle-aged kaftan-wearing woman with enormous eyes and the longest, straightest, brown hair I'd ever seen.
    Oh! I didn't mean to frighten you! You seemed so still, like a Greek statue, her voice low and husky, yes, Italian lilted, her hands on my shoulders, pulling me to her, kissing me on one cheek and then the other, me half-delighted, half-repelled, hoping her bright orange lipstick hadn't come off onto my freshly fairy-dusted cheeks. Then she held me away from her, as if inspecting me.
    Ah, she said, enigmatically, knowingly. I was about to ask her what she meant when she bustled me into the kitchen, where another woman was at the sink, washing dishes, her slender black t-shirted back a graceful curve. Dark, bobbed hair. She didn't turn around.
    I'm Pia, said the kaftan wearing one, and that's Bella. Bella, introduce yourself! Bella turned around, brushed hair out of her eyes with a yellow-gloved hand. She didn't look much older than me. A small, angular face. Her eyes were red-rimmed.
    Onions, she said, noticing my stare. It's good you have arrived, she said, her voice clipped and musical. Now I can start the soup. Is very important, you know, the timing of the vegetables. With that she pulled off the gloves, and all but flung a pot on the stove.
    Pia laughed, that's our Bella, she said, and patted me on the head, stopping a moment as if to feel how silky my hair was. I was glad I'd washed it. Glad she was here. I didn't think I could have coped with Bella by myself. Where was Terence? The question like a thorn. I wouldn't ask it. Not here, not of these two formidable women. Who were they? Why were they here. I thought, actress, surely, yes, and felt a bit better. They were actresses in one of Terence's plays. Maybe that's why he was resting.  A new show, perhaps it had just opened. Why hadn't I telephoned? I'd have known what to expect.
    Milk? Sugar? Pia asked, pouring tea into a mug. I shook my head. I'd given up both in my pre-A-level diet. I hadn't gone back, thinking it made me more adult, drinking my tea and coffee black. I gratefully took the steaming mug from Pia, clasped my hands around it to warm them. You cold? Bella asked. Not even turning around, one hand stirring something, the other pulling the skins off a bowl of fat, steaming, tomatoes. Another person with x-ray eyes. I'm okay, I said as brightly as I could, wondered where Aaron was. With Terence? Pia poured another mug, stirred two sugars into it, pushed it across the table towards me. I looked up, quizzical.
    For Terence, she said, her eyes holding mine. Bella slammed another pot onto the stove, flung in her pile of onions. Footsteps behind me. Aaron, filling the small kitchen, the two women turning, smiling, words flying between them like whizzing wind-up airplanes. Italian. All I understood was that they were somehow teasing Aaron and he was enjoying it. Or was it about me? I listened for my name, my skin hardening, my feelers out, pointed like spears. I watched for glances and hidden body movements. I saw none. It was as if I didn't exist. I just sat there, sinking, drowning underneath the banter, the closeness between the three of them palpable. I stared at the second mug. What did she mean? Was he coming down? Aaron wandered over to the stove, stuck his finger in the pot, Bella whacking him with her spoon. Ouch! he said. See what I have to put up with. It's a damn good thing you are here Sue, I can tell you're not wicked like these two. I need someone on my side. I grinned, felt myself softening, armour down. And then I thought he probably preferred wicked. Didn't all men?
    It'll get cold, Pia said, picking up the second mug and putting it in my hand. Go on, it's just up the stairs, the room next to yours.
    I stood too quickly, spilling tea on my shirt. I looked at the pale brown stain with dismay, feeling awkward and clumsy and desperate to get out of the room, desperate to see Terence, afraid of what, who, I might find, worried that I'd licked off all my lipgloss, that my hair had dulled in the steam of the kitchen. I rubbed ineffectually at the mark with my fingers for a moment when Bella came over with a dampened dishcloth. She pressed and dabbed expertly, her long fingers working the stain out.
    There, she said, standing back. Nice shirt, she added, giving me a delicate smile. Sad eyes, I thought. She didn't look away. She seemed to be asking me something, something terribly important. I opened my mouth as if to ask, What is it?, but she was already back at the stove, shoving her hip playfully into Aaron. Pia poured a fresh mug.
    Tell him supper's in half an hour, Si, Bella? Si, Bella replied.

I tapped lightly on his door. I heard no reply. I opened it slowly, thinking I'd got the wrong room. Warm air pressed against me, air heavy and dry, overheated, electric. The room was dark. Curtains drawn. No light on. I made out a shape on a big, double bed. It shifted. Something white turning towards me. His face.
    Susan?
    Yes, I said, my heart so loud, my hand shaking, more tea spilling. I made as if to turn a light on, but he said, No, don't. Come here. I walked carefully towards him, the strip of an electric-bar heater lighting my way across a thickly piled Flokati rug. I tried to find a spot to put the mug down on the table next to his bed, a desk really, covered in papers and journals and books, open, face down, empty cups and crumb littered plates, a multitude of small notes stuck everywhere, on the wall behind, even on one of the empty cups. An angle-poise lamp had fallen awkwardly across it all, as if sacrificing itself in protest at the mess. Terence tried to help me, pulling himself up from the bed, sweeping aside a book. It fell to the floor with a loud clunk.
    Leave it, he said, as I bent to pick it up. Sit, please, here, close to me where I can see you. He felt for the switch to the angle-poise, flicked it on. I busied myself straightening the lamp for a moment, my back to Terence. I felt his hand first, and then the heat of him, his breath on my neck. Sit, sit, he whispered, one hand exploring my hair, the other touching my shirt, a soft, flickering touch, brushing my breast, my arm, my shoulders, my waist, and then coming to rest on my leg, I pulled myself close, my legs on the bed, crossing, tucked into him as he lay back. His hair falling lightly on the pillow. I forced myself to look him in the face. My breath held. He lay very still, looking at me. He looked much older. Very tired. His skin starkly pale against the deep red shirt he was wearing. It shone slightly, silk I thought. A blue vein throbbed at his temple. I reached to touch it, and he caught my wrist, turned it gently, brought it to his lips. They were cold, papery. I leaned towards him, uncrossing my legs, my cheek against his, stretching myself out along his blanket-covered body. He pressed me lightly to him with one arm. The other was trapped underneath me. My nose was in the pillow. It smelled of him, a slight musky smell, and something else, almost sweet. I turned my head, pulling back slightly so I could look at him. His eyes were closed. Soft lashes against his pale skin. Freckles, marks, I hadn't noticed before. A small scar, underneath his eyebrow. I lifted my knee over, and he put his hand on it, stroked me like a cat. We lay together saying nothing, listening to each other's breathing.
    Are you sick? I asked finally.  His eyes opened. So dark. A fan of lines spreading out from the corners, little riverbeds for tears, I thought.
    Am I sick? he repeated. Closing his eyes again. Opening them. Lifting a lock of my hair, rubbing it absentmindedly between his fingers. Fear fell into me like a kind of demon.  I pulled myself back up, bent over him, my hands on his shoulders.
    What's wrong? Tell me, what's wrong?
    Hey, hey, shhh, he said, his eyes wide, his mouth a smile, a laugh, looking at me with surprise. It's fine. I'm fine. Just tired. That's all. Nothing serious. I promise. I'm happy you are here. I didn't move. I didn't believe him. When he saw this he took my hands from his shoulders and covered them with kisses. See? I'm happy. I'm fine. You're here, why shouldn't I be happy? I bent closer, wanting him to kiss me on the lips. He gently pushed me away, saying, Let me look at you. Stand up. Turn around. God, you look good. The suntan suits you. You cut your hair.
    In Athens, I said, feeling myself begin to relax.
    Ah, Athens. You'll have to tell me all about that. I bet you were fighting the boys off.
    I giggled. Yes, I suppose. There was this one guy, it was the middle of the day even, and I was just minding my own business, and he drives by in this huge American car, top down and everything, I even think he had a gold chain around his neck, and he was obviously following me, honking and shouting, saying, Oh I don't know, Hey you, that kind of thing.
    I stopped, checking to see if I was boring Terence, but he was smiling.
    Anyway, I went on, I ignored him totally, didn't even glance more than once at him. There were lots of people, shoppers, tourists. I just carried on walking. And then I hear this yell, and I turn around and he's shaking his fist at me, yelling, Do you know how much the gas costs?!
    Terence threw his head back and laughed, and suddenly everything was fine, I was fine, he was fine, wafts of delicious smells coming from downstairs, his mad messy desk just the sign of overwork, yes, he was just tired, and he still loved me. Didn't he?
    I smell one of Bella's masterpieces, he said. You've met everyone I suppose? I know Aaron let you in, but did you see Pia? She was very excited to meet you.
    She seems lovely, I said, letting this last bit of information hover there, why was Pia excited? Had he told her about me? What had he said? And Bella. Bella.
    Do they all live here, I asked, hoping my real question wasn't obvious.
    Some of the time. Right now, yes. They, well. They're worried about me it seems.
    Why are they worried?
    I suppose you'll have to ask them.
    You are sick, I whispered.
    What? No. No, silly bunny. I'm not sick. I'm tired. I told you. There was, well. It's been a stupid, tough month. Endless bullshit changes. And for what? To help the audience understand? I don't write for idiots.
    The anger in his voice shocked me.
    Changes?
    To Jackhammer. One of my plays. It's being put on by the National, and the director. Well, never mind. They don't understand. Too effing intellectual. Lets not talk about this. You're not here to listen to my complaints. You're here to impress a Professor. When's the interview?
    Tomorrow, first thing.
Early night then. You must be tired. His voice softer. And hungry, I'm sure. Come on, lets eat.
    Terence shifted himself elegantly out of the bed. His legs were bare. Thin, too thin, I thought. I looked away in case he hadn't any underpants on, but he had, black ones. I stared at his slim hips, long thighs, delicately covered here and there with short, dark brown hair. He fumbled through the bed covers and dragged out a pair of faded jeans, pulled them on, hopping one legged, almost falling, me catching him, both of us laughing, Terence kissing me lightly on the ear, You are so fucking beautiful, he whispered. Everything was alright, I thought, as he curled his fingers into mine and led me out of the room, yes, everything was alright.

  ayla : Illuminated Skye

Re: Sandra's NaNo thread - excerpts ii

ayla said Nov 12, 7:22 AM:

 

What a strange and bizarre reception for poor Susan.  Ah, I have a feeling that everything is not alright.  Susan is so young, so innocent -you've portrayed that beautifully, Sandra.  I hope we get some more Pia and Bella as well.  Such interesting characters, especially Pia. 
more please  xo

  drechanteuse : pompateur of love

Re: Sandra's NaNo thread - excerpts ii

drechanteuse said Nov 12, 7:38 AM:

 

I have to agree with Ayla, Terence doesn't sound alright. Yet, I can understand Susan wanting t believe that everything wll be. Oh, what a setting, Greece. It feels very foreign and unfamiliar to me. I am glad Pia and Bella are there, and I can't wait to get to that minestrone. Such great detail makes me feel as though I am right there. Lovely. What's next?

Love,
Andrea

  Sandra : Inspirational Ambassador

Re: Sandra's NaNo thread - excerpts ii

Sandra said Nov 12, 8:21 AM:

 

Ayla, Andrea. I can't believe you are still reading…((((hugs)))!


Day Twelve

We ate supper on our laps in the living room. Aaron shoved a pile of books aside and sprawled across the carpet, Pia and Bella curled up together on an enormous red bean bag. I knelt next to the coffee table, as close to Terence as I could without looking possessive or needy. Someone had cleared some space in the middle of the table, filled it with baskets of warm, roughly torn French bread and bowls of salad. A new candle flickered, the dirty wine glasses replaced by clean ones.
    Claret anyone? Aaron said in an over-the-top plummy accent. He held the bottle high, inspected its label. I think it's a good one, Mis en Bouteille en Château and all that.
    Yeah right, said Bella, delicately dipping bread into her soup. As if you'd know. American's don't know crap about wine. Or anything else for that matter.
    Hey! Aaron said, twisting his face into a caricature of pain while mock stabbing himself in the chest. His head lolled ridiculously to the side, tongue hanging. I  laughed. I was beginning to like him, beginning not to feel an outsider, the wine going quickly to my head, making everything feel warm and soft. I stretched my legs out, gave Terence a sideways look but he was somewhere else, staring into space, his soup uneaten.
    Wine? I asked, reaching for the bottle to pour him some. He turned to me as if out of a dream. His skin looked incandescent, as if lit from inside. He looked at me unsmiling for a moment, as if trying to remember why I was there. And then he smiled, touched my hair lightly.  No, no thanks. I've got a meeting with the boss.
    Oh for fuck sakes, Aaron said, slamming his fist on the carpet. Can't you take a break? Surely it can wait. Susan's here, all the way from bonny Ireland - he flashed me a look - Max's coming over, Julie too. You said you wanted to see them. Can't we take a night off for once?
    Max? Julie? I thought. More people? Part of me didn't want more people, the other part felt a tinge of excitement. I took another gulp of the tannic wine.
    Terence didn't answer. He looked at Aaron, and then at Pia and Bella. And then at me, and finally down at his uneaten soup. Everyone was silent, watching him. He started to eat, slowly at first, and then hungrily, reaching for the basket of bread. I took out a piece, handed it to him. He winked slowly at me. In a flash I was back in Cheltenham, the first time I saw him, elegantly leaning against the pale gold wall of the courtyard, a dark silhouette watching me. It seemed so very long ago, years even. Another life. And I was here now, in his house, with his friends, eating minestrone soup, the night still ahead, when I was sure I'd be in Terence's arms. I stuffed a spoonful of soup into my mouth in an attempt to stop my thoughts getting ahead of themselves. Later. It will come, I told myself.
    I have to, Terence finally answered Aaron, wiping his bowl clean with his bread. You know that. Auditions are next week. Bella gave a little cough, her angular face momentarily child-like. She saw me looking and the moment was gone, she was her spiky adult self again.
    I've told them I want you, Terence said. I just can't promise, you know that. You're an obvious choice for the part.
    Bella nodded, but her face was hard. Pia put an arm around her shoulders, pulled her close. Of course they'll choose you, she said with some force. Carlson knows Tavia is based on you.
    A needle of anxiety poked into my stomach. What had he written? I wondered for a small, horrible minute, if I could get my hands on the play and read it. Now. In the bathroom. Somewhere hidden. So I'd know. Know what? I wanted to know everything. All of it, his whole life, every woman he'd ever loved, ever touched, ever slept with. There must have been dozens. More. He couldn't be the way he was and not have had lots of women. I stood up, too quickly, dizzy, dropped back down, everyone staring at me. I laughed, too loudly, feeling my hot, stinging cheeks, my head looping. I felt exhausted. The buses, the flight, the trains, the anxiety and hope and wishing and trying not to think about Terence and the almost unbearable contrast between where I had been - who I had been - that morning, sitting at my mother's kitchen table, trying to get some toast down, her rushing about making sure I had my tickets, my papers for the interview, enough warm clothes, to now, the sensation of Terence's leg against mine as if a hot coal were being pressed into me, surrounded by talented, interesting people, me, drinking claret and eating soup made by a beautiful Italian actress.
    Is there a toilet down here? I asked. I had to get away, be alone, I had to collect the bits of me that were scattering, falling, like pieces of torn tissue.
    Sorry, only the one upstairs, Pia said, standing up, taking the empty bowl from my hands. Do you want some more? she asked, her nut brown eyes searching mine. I smiled, looked away, too much concern and a piece would touch the candleflame, destroying the part of me that was in control, handling all this just fine, thank you very much.
    I slid the bolt across the bathroom door. Pressed my forehead against the hard cool surface, listening to the low murmur of voices from the living room. Pia laughing at something, then Aaron, Then Terence. I listened for Bella. Were they talking about me? Had Bella said something? I sat on the edge of the bath. Put my fingers in my ears. Slipped down to the cold, black and white tiled floor. Stared at my knees. My blister, forgotten until now, stung and burned. I pulled the boot off, inspected it. Red, very sore. I got up, opened the medicine cabinet. Bottles, plastic, glass. Pharmaceuticals. Dental floss. A plastic pink cup holding several squished tubes. Antibacterial, antibiotic. hydrocortisone, others. A roll of flesh coloured bandage. I took out a box of Band-Aids and the plastic cup, sat on the toilet. Wondered which ointment would be best, found myself holding a tube of haemorrhoid cream. It felt slightly oily. I dropped it back in, leaned over to the sink and turned the tap on, holding my hands under hot water. God. Did Terence have haemorrhoids? Pia. Must be Pia. I'd read somewhere that large people got them more than thin. Or maybe she used it for baggy eyes. Isn't that what 'Cosmopolitan' said you should do? I stood up, studied my eyes in the mirror. A bit puffy maybe, not enough to risk trying the stuff. I finally chose an antibiotic ointment for my blister, spread it over, wincing. Stuck the plaster over. Stood one-booted at the sink, staring again at the contents of the medicine cabinet. I pulled out a small bottle of pills. The label was faded, half torn. ence Whyte. One to be taken at bedtime, when .. When what? I wondered. For sleep? For sex? I fingered another bottle, smaller. Turned it so the label faced forward. Bella Melchiorre. Antibiotic: one to be taken twice daily for five days.  I recognised the pills. I'd been given them for cystitis. You're too young to have cystitis, my mother had said when I told her, giving me one of her What have you been doing that you shouldn't have? looks. 
     I pulled out the other prescription bottles, wanting to find other names, Aaron's, Pia's, but all I found was one for a Jack Weatherly, empty. I shoved them back in, upset crawling up my throat, threatening to reach my eyes. Splashed water on my face several times, and then thought, Oh shit I've washed away my glitter but I carried on, it was too late, any glitter was swirling down the plug hole. I dried myself with  a slightly smelly hand-towel, and inspected the damage. I looked hot. Angry. Was I? I didn't know. Voices I didn't recognize in the background. A sweet smoky smell. A door closing. I wanted to be down there, with them, not shut up here in this bathroom with other people's (Bellas!) pills and haemorrhoid creams. I pulled my boot on, flipped my head down and up to fluff my hair, unbolted the door and dashed into my bedroom for a quick dab of lipgloss. Terence's door was open. Dark. I could go in there, I could check for signs. I bit hard on my lip. Stop it, I told myself, and I ran down the stairs, almost crashing into a thick-set man yanking off a heavy leather jacket.
    Whoa there, he said, looking me up and down and then up and down again, hovering somewhere around my breasts. And who might you be?
    Susan, Susan Newman, I said, giving him my hand and then taking it back when I saw he just stood there, arms hanging like great slabs of meat.
    Well. Delighted I'm sure. Terence still here?
    Yes, I think so, in the living room, I said, but he had already sidled past me, rather closer than was necessary and then ducked out of the hall into the living room. I followed. Another candle had been lit. Another bottle of wine, white. Aaron had swapped places with Bella - who was not in the room - and was crammed onto the bean bag with Pia, who was smoking a slender cigar. I'd never seen a woman smoke a cigar. She laughed when she saw my face. Darling, she said, you should try it. Men find it sexy.
    Sexy enough already in my opinion, the thick-set man said, not even glancing at me, pouring himself a glass, spilling some onto an ornate-looking magazine. Watch out, Aaron said, that's got Terence's interview in it. He pulled his shirt cuff down and mopped the wine up. You're a lumbering oaf, Max, anyone ever tell you that?
    All the time, Max said flopping onto the floor. Where's Terence? Bella?
I was wondering the same thing.
    A little pep-talk. Aaron said.  Bella's upset he can't guarantee her the part.
    Man that woman gives a lot of aggro. She'd drive me barkers.
Pia frowned. Pursed her lips. Blew a smoke ring.
    So, Max continued, ignoring Pia, slowly turning his big head in my direction. And just who, exactly, are you?
    I already said, I mumbled. I'm Susan.
    So you said, so you said. He downed his glass, not taking his eyes off me. They looked like fish eyes, I thought. Buggy and slippery.
    She's a friend of Terence's, don't give her a hard time, Aaron said. I shot him a grateful look.
    Of course she is. Tell me this, would you. Tell me how that wanker manages to, how do you American's say it? Corral all the foxy dames around here?
    Max! What's got into you? Pia, her voice kind and firm at the same time.
Max suddenly looked crumpled, his massive shoulders slumping, his face hang-dog.
    Sorry. Sorry everyone, he said, glancing around the room, sounding like he meant it. Fucking matinees. A bus load of pensioners. That's it.  Worse than a charity show for fucks sakes.  One of them even said, Speak up lad, I can't hear you, in the middle of my monologue.
    We all burst out laughing, Max's eyes brightened. He raised his glass.
    Cheers, here's to good company and everlasting friendship. Things that really matter.
    Cheers, we all said. I had a glass in my hand, filled. I wondered how it got there. I looked up, straight into Terence's eyes. He was standing in the doorway, watching us. He gave Max a nod. I tried to catch his eyes, but he was buttoning up his jacket. Black, soft, it looked. Warm.
    I'm sorry to be a party pooper, he said. I've got to go.
    Will you be late, Pia asked.
    Depends on whether or not I keep my temper.
    Clarence? Max asked, and then said to no one in particular, Who else.
    I stood up, Terence finally turning his head in my direction.
    I'm sorry, Sue. He glanced around the room. They'll take care of you. Ignore Max, he's doesn't mean to be a jerk. Max grinned at me, nodded.
    I followed Terence to the front hallway. Touched him on his arm. I couldn't believe he'd leave without saying another word to me. He turned. The dull yellow light made him look much older. We stood there, holding each other's eyes . Mine felt like they were trying to search inside him, trying to have him say something to me, what? That he loved me? Something, anything. His were steady, just looking.
    Are you with Bella, I blurted. Shocked at myself. I hadn't even thought of asking.
    Terence pulled me to him, held my face against the soft jacket. He lifted my hair, slipped a hand underneath, cradling the back of my head.
    Sweetheart. Is that what you think?
    I sniffed, certain tears were smearing my mascara.
    We once, well, had a thing. It was a long time ago. But she's too unstable. Actresses are not good for me.
    I lifted my head, looked up at him. I thought I'd like to try it, I said.
    Acting?
    Yes. Just experiment, you know. I did a lot when I was younger. Wrote plays even. But I'd like to act.
    You are full of surprises, he said, taking my face in his hands. It's a mean, nasty business. Soul destroying. Anyway, you're too much yourself to be an actress.
    He kissed me on the forehead.
    I've got to go.
    Will I see you later?
    I don't know. You should get to bed. Get some sleep. Tomorrow is important. For me too, I've a meeting with someone who wants to produce Benedicte. Early, I might be gone before you leave.
    Oh, I said, struggling to articulate my disappointment, my chaotic, random thoughts: he'd catapulted me into tomorrow, to my interview at the Classics Department - I didn't even know where it was - and then, immediately afterwards, the train back to London, the plane to Dublin. Ireland. My mother. I shook myself. It was only three weeks until term started. Not even a month. And then I'd be gone. Forever. I fingered his collar, my nose brushing his cheek. The faint, acrid smell of him intoxicating. It wasn't over yet, I told myself, he'd be coming back tonight. I'd wait up.
    Don't wait up, he said, pulling away. Not for the first time I felt transparent, flimsy nothing there at all, just a tissue-thin girl with a desperate crush. He lifted my hand, brushed his lips briefly against my fingertips. And then he was gone, the door clunking behind him, the slap of his shoes drumming against the concrete path, my heart an off-beat pitter patter. 
   

  rudyan : quasar

Re: Sandra's NaNo thread - excerpts ii

rudyan said Nov 12, 10:55 AM:

 

Oh, this is so good, Sandra at her best (talking about the writing), that's how it feels to me. I love the slow unfolding of this story, but I keep thinking it can't help but turn into disaster for the I-character, who seems so vulnerable and needy, even though on the surface she doesn't really appear to be those things. Just young, impressionable, drawn by kind words and to anything that remotely resembles love.

Do you want some more? she asked, her nut brown eyes searching mine. I smiled, looked away, too much concern and a piece would touch the candleflame, destroying the part of me that was in control, handling all this just fine, thank you very much.

My heart aches for Sue. I want to call Terence an asshole and a whole bunch of other names, and at the same time I'm thinking, ah but he's an artist, a poet, and all the other excuses we're always making for the Terences of the world. And the sad thing isn't even about the Terences, it's about how early life sometimes seems to be a setup for girls, for anyone, to fall… into errors of judgment (? — hmm, not quite sure how to put what I wanted to say).

  Sandra : Inspirational Ambassador

Re: Sandra's NaNo thread - excerpts ii

Sandra said Nov 12, 2:27 PM:

 

Ruth. Oh you sure know when (and how) to comment, don't you? Just when I was feeling flat.
hugs, hugs.

  ayla : Illuminated Skye

Re: Sandra's NaNo thread - excerpts ii

ayla said Nov 12, 6:35 PM:

 

Stinking Gaia post eating monsters.  ugh.
So, yeah, as I was saying, I'll call Terrance an asshole if she won't.  Insensitive asshole to boot.  God.  I'm dying for more.
Flat?  Maybe you're feeling flat, Sandra, but your work is not reflecting it one iota.
Crazy For More & Jealous,  Ayla

  Sandra : Inspirational Ambassador

Re: Sandra's NaNo thread - excerpts ii

Sandra said Nov 13, 4:06 AM:

 

Ayla, Ruth, before I forget I just wanted to say how useful your comments are. Just telling me what you feel. It 'shows' me if and where I'm on track or not, at least in how I want this world to play out, feel etc. xo