Wild Bill Jones wrote a review for this book on January 23, 2007 :::
It has always been hard for people to find a balance when talking about Norman Mailer and his work. But it doesn't take a lot of intelligence to call a writer names, as a previous reviewer has, or to call all of the author's output garbage. (The review in question has, apparently, been removed or withdrawn as of 1/24) To address Norman Mailer realistically, readers have always had to accept that they would find extraordinary strengths and liabilities in the same work.

Mailer's work and his persona, deeply intertwined for the past six decades, irritate the hell out of some people. Fine. But nobody's personal irritation wipes out an author's 60-year output. The Naked And The Dead, The Armies of The Night, The Executioner's Song, Miami and the Siege of Chicago, Advertisements For Myself, to name only five, are major books of our time. Plainly the previous reviewer, in handing down such sweeping and unsupported dismissal of Mailer's work, is superior to the pinheads on the committees that awarded Mailer two Pulitzer Prizes, a National Book Award, and countless other honors.

Mailer's work is always a mixture of brilliance, clumsiness, audacity, dullness, and excitement. That is a big part of why he is so interesting – the tension among these qualities. Some of these qualities are more pronounced in some of his works than in others. Many contemporary readers will find the premise of The Castle In The Forest outlandish – the existence of a God and a Devil, and legions of lesser devils and angels, at war with each other, and intimately involved in human affairs. This notion is nothing new in Mailer's work, and he is completely serious about it. If you don't want to go with the premise, don't read the book.

In this book about Hitler's early years, narrated, as readers probably know by now, by one of Satan's assistant devils, you will find many surprises, startling imagery, a deceptively subtle narrative strategy that yields more narrative torque than one might guess, long stretches that many readers will find tedious, many others that are striking and memorable and which could have come from no other writer, some laser-sharp flashes of action, some clunky missteps, and a lot of philosophizing. Many readers will find some of the philosophizing surprising and fresh and thrilling, and some of it obvious and self-congratulatory and irritating. Mailer is anything but predictable, and he takes this book's readers on a wild ride. What a great and rich show he puts on.

If Mailer's ego puts you on edge, if you don't want to deal with the irritation you may feel in encountering uncomfortable ideas, or even foolish ideas right next to interesting and provocative ones, don't read the book. Mailer insists on throwing himself up against large questions that are obviously important to him, and that have been important to human culture down through the ages. His successes and his failures are themselves an epic. This book is an astonishing act of imagination, gall, willpower, wit, failure, success, all of it mixed together…. Quintessential Mailer. Five stars not because it is an unqualified success, which it isn't, but because it is such a spectacular show, such an amazing performance by one of our most interesting and enduring writers.

I'm really looking forward to read this book = WOW