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Hi, Bjorn, Thank you for sharing your “visionary” space/time experience. When you contact space and time, not as distant abstractions, but as part of the fabric of your experience, things shift significantly. The openness and accommodation of space and the vitality and creative dynamism of time are our flesh and bones, inseparable from the infinite play of perspectives which manifest as the abundance of selves and worlds.
Here are some quotes on space and time from the TSK tradition which I think relate, in some ways, to the spirit of the vision you are expressing.
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Things are not only pervaded by space in an ordinary sense, they also are Great Space–infinite, open, and not excluding other things from being. Great Space does not become something. Nothing rises out of it. Nothing compromises it. Great Space remains infinite, accommodates everything, and yet `sets up' nothing and does nothing. (p. 19, TSK)
While all familiar things are separate and distributed over ordinary space, delineated partly by differences in position, they are all intimately connected insofar as their Great Space dimension is considered. `Distance between' becomes meaningless. (p. 112, TSK)
Space projects Space into Space, in an exhibition that ripples outward. In itself, the exhibition is simple; in fact, since it has no identity, nothing could be simpler… . Space projects Space into Space. There are no fixed points and no fixed identity, but quality and character remain. (p. 242, KTS)
The Great Space perspective shows everything to be more integrated–an infinite form … without an infinitely extended temporal dimension. From this perspective, different times express only an openness and accommodation of Great Space; they do not establish temporal succession, discrete moments, or `things in time'. (p. 81, TSK)
The vitality of Great Time is the direct expression or evidence of the openness of Great Space. Great Time plumbs the depths and breadth of Great Space. Just as ordinary sound needs space in which to occur, and in turn gives evidence of the extent of that space, so Great Time resounds in, speaks of, and sounds out the infinity of Great Space. All appearance is Great Space. Elaborating on this, we can see that although all form and partitions are Great Space, the givenness of form and the partitioning or drawing up of form into particular configurations is Great Time. Great Time shows or conveys (in both the common evocative and vehicular senses) Great Space by exhibiting infinite variety. (p. 99, TSK)
All energy whatsoever, all potential for the appearance of elements which we take as phenomena in time–volition, causation, and so on–derives from Great Time. (p. 126, TSK)
Great Time, through the intermediary experience of 'time', is the source of inspiration and spontaneity. It is the muse that all artists seek, the feature which allows us to perceive and celebrate the otherwise hidden dimensions of all the presentations that constitute life. (p. 142, TSK)
Time ceases to be seen as unfolding distributively, from one thing to the next. Instead, it penetrates directly through all meanings and partitions to show Great Space in a perfect, timeless encounter–timeless in the sense of being unconditioned and without ordinary duration. (p. 150, TSK)
Great Time is the universal bearer, but does not do, bear, or express 'things'. Great Time is not a thing or process….Great Time is neither law-like nor random. It is not a happening or a 'taking place' at all… . We might say that it is the inseparable partner of Great Space, the other member of the primordial marriage and love affair. (p. 159, TSK)
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And since TSK claims that knowingness or awareness is inseparable from spacetime, here are some quotes on that dimension of awareness that TSK calls Great Knowledge.
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The Great Space dimension … provides the field of possibility for a kind of wide-angle lens (Great Knowledge) to be used, rather than the narrow-angle lens corresponding to the presence of a `knowing' and `doing' mind-self. (p. 67, TSK)
Great Knowledge truly removes all doubts and uncertainties. But it does not know `the truth'. It does not limit reality in that way. However, it is accurate and well-informed of what is going on. (pp. 201-2, TSK)
Great Knowledge is the immediate and knowing dimension of all reality and experience. It is the interplay between the openness of Space and the expressive creativity of Time. The very way in which Space and Time set up distances, differences, finite knowing capacities, and obstacles to knowledge leaves everything directly `known'… . Great Knowledge is the interpreter and the demonstrator of this Space and Time, but it is not limited to the events which we single out as knowing acts. Knowledge is not something which knows something; it is simply the presence of reality as `knowingness'. (pp. 211-12, TSK)
Ordinary knowledge has particular uses and values, but Great Knowledge is irrepressible–it cannot be tied down or limited in any way. There is no way we can truly fail to comprehend it. And like ordinary knowledge, Great Knowledge always leads to more Knowledge of its own kind. It inspires itself and can grow infinitely. (p. 215, TSK)
We can see `knowingness' as primary. There are no `things' which convey it, there is just clarity itself ; 'knowingness' is inexhaustible and can be neither fragmented into little knowable packets nor foreshortened by known content of any sort. This does not mean that 'knowingness' is a vacant absorption, but rather that 'things' and encounters are themselves 'knowingness'. (p. 271, TSK)
Great Knowledge is not the view of an individual nor is it a perspective in the way that places emphasis on a subject-object dichotomy. Great Knowledge is `everything'–subject and object, all unified in a way that involves neither parts nor a `whole', nor even a unifying process. We can call this total communion the Body of Knowledge. (pp. 286-7, TSK)
Full knowledge dissolves the `distance' between knower and known that characterizes conventional not-knowing. With no distance, an intimacy of knowing emerges, and knowledge becomes inseparable from love. (p. xlviii, LOK)
We have learned to think of knowledge as linked to distance: to standing back and judging coolly. Now we know that knowledge is something quite different. It is the love we feel for all appearance, the love that unites all appearance. It is knowledgeability without separation. (p. 196, DTS)
Knowledge, the Great Magician, works its wonders. Through all of history, the manifestation of self-knowledge proceeds: The artist becomes the art and the art the artist. In all of space the Great Magician conjures the appearance of unconfined beauty. Unbounded momentum gives rise to experience. Though we cannot name or think or label this arising, its magical display is nothing other than our immediate presence. (p. 220, DTS)
~*~
Best wishes,
Balder
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