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  Balder : Kosmonaut

A Story-Centered Approach to Human Systems

Balder said Apr 12, 6:00 PM:

 

The following essay touches on a number of themes we've explored in different threads recently.  I was going to copy some of its text into this thread, but the formatting is weird and it comes out mixed up and with large gaps when I try it.  So, here's a link instead:

Participatory Knowing:  A Story-Centered Approach to Human Systems, by Jack Petranker

  Balder : Kosmonaut

Re: A Story-Centered Approach to Human Systems

Balder said May 20, 8:02 AM:

 

Story and System
 
Gregory Bateson (1972b, 407) characterizes the subject matter of cybernetics (which I will take for present purposes to be equivalent to systems theory) as “the propositional or informational aspect of the events and objects in the natural world.” If we stopped with this definition, we would be squarely in the realm of the narrative, for as statements that assert something to be true, propositions are the building blocks of narrative. Yet Bateson (1972b, 408) almost immediately goes on to qualify his initial definition in an important way, arguing that the content of a given  proposition will always depend on the context of the proposition, and that this context in turn will depend on a larger context, and so on. As he writes elsewhere (1972a, 315), “In the natural history of the human being, ontology and epistemology cannot be separated.”

Once we bring in context, we have left the realm of narrative and entered a more complex world in which events have meaning only in relation to a larger whole. I call this larger whole the story, or lived story, as opposed to the told story of the narrative. Just as there is more to a novel than its
plot, so there is more to a lived story than the sequence of events that give it its sequential form. While we tell a narrative, we inhabit a story. No narrative telling can capture the inhabited story, since to tell what has happened (and telling, as already noted, always looks backwards in time) is to abstract from the lived story what makes it alive: elements such as emotion, mood, associations, sense of presence, self-image, and so on (Petranker,
2003).
 
The relation of story to narrative parallels in interesting ways the relation between mutual causality (systems theory) and the mechanistic causality of linear forms of thinking. For example, here is a simplified version of four properties that Macy (1989, 76-77) lists as inherent in every natural system, viewed as a system:



the system is a nonsummative whole that cannot be reduced to its parts
the system is homeostatic, stabilizing itself through negative feedback
the system is self-organizing, encoding new patterns that allow it to continue functioning
the system is part of a hierarchy, containing subsystems and itself a subsystem of a larger system


Now consider the following description (Tulku, 1987, 171-73) of what I am calling the lived story (in this case, what Tulku calls the “founding story” of the self). The same four properties appear:


 
Stories make meaningful the self's doings, thoughts, and imaginings, giving coherence to the flow of events … The rules of logic and social intercourse, the vivid imagery of the human mind, the interlocking domains of perception, feelings, naming, explanations, and interpretations all take their meaning and significance from the manifold structures of the web of stories.
 
A single story may be fully formed, subtle, and intricate, or fragmentary and suggestive. In either case, it allows for the possibility of subsidiary stories, bars the telling of conflicting stories, and establishes a framework for later experience, defining the understanding within which [conventional knowledge operates]. As stories interweave and grow more elaborate, parts slip out of view, too complex in form and content to be grasped as a whole.
 
…The self learns to turn to its own stories for gratification and to make sense of events. Tracing out the patterns of interlocking stories permits the creation of new, more comprehensive, or more satisfying stories, including stories about stories, or even stories (such as this one) about how the story-telling mechanism operates. Common to all these stories is the narrator itself … The central narrative structures—”I am; I feel; I experience; I want; I act”—are the self-authenticating truth of every story.


In other words, the lived story can itself be understood as a system, a whole that is constantly remaking itself (encoding new patterns) through adjustments that take the form of subsidiary stories, all for the purpose of preserving homeostasis (the ongoing existence and ownership status of the self).
 
To see the self-story as a system, however, does not yet address the “withinness” of human experience. If the self is the “founding story” we inhabit (Tulku, 1987), we should be able to see it as just that: a story about the way things are rather than the truth of our experience. Yet that is precisely what we cannot do. Instead, we always find ourselves within the story, and so accept it as the truth. Under ordinary conditions, the inhabited story is sealed off from systemic analysis. This is what it means to say we inhabit the story.

Whenever we make the withinness of human experience our focus, we will find that systems analysis tends to miss the point. Consider Gregory Bateson's (1972a, 317-18) well-known example of a man chopping down a tree. Viewed in systemic terms, writes Bateson, the system (or Mind) at work here is the one consisting of tree-eyes-brain-muscles-axe-stroke-tree. He continues:



But this is not how the average Occidental sees the event sequence of tree felling. He says, “I cut down the tree” and he even believes that there is a delimited agent, the “self,” which performed a delimited “purposive” action upon a delimited object.


Bateson's mock consternation here (compare Dennett, 1992) is disingenuous. Bateson's systemic analysis offers a narrative—tells a story—that may be superior to a conventional linear causal account. But this account leaves unaffected the story we inhabit, a story in which it is incontestably the self that acts, decides, tells, objects, and so forth. It suggests a different way of living the story, a different view, but it lacks the purchase on our experience to become a different way of the story. Like the Underground Man, human beings acting within the lived story are beyond the reach of rational explanations. Experientially speaking, no one is a system to herself.
 
The difficulty is that the method of science depends precisely on stepping outside the story, on emerging out of the darkness of prereflective experience into the light of reflection. There are certainly scientists who defend the need to engage the withinness of prereflective experience (Freeman, 2000, Dreyfus, 1993) and explore tacit knowledge (Polanyi, 1962), but they generally concede that such familiarity is purchased at the cost of scientific knowledge and analytic rigor. Bateson's woodsman, involved in cutting down a tree with an axe, is not thinking to himself, “I am part of a system that involves the tree, the axe, impulses from the brain, the muscles of the arms, and so on.” But he is also not thinking, “I am the one cutting down the tree.” Within the story he inhabits, he does not think at all; it is enough for him to be within it. As Searle (1992, 98) writes:  “Our idea of an objectively observable reality presupposes a notion of observation that is itself ineliminably subjective, and that cannot be made the object of observation.”

This, then, is the challenge. Systems thinking recognizes the complexity of the lived story, but necessarily steps outside the story and thus loses touch with the essential withinness that makes human stories what they are. Yet from within the story, systems thinking is not possible, for as Bateson (1972a, 314), the elements that constitute the story are large inaccessible to consciousness. In fact, some writers sympathetic to systems theory have been prepared to accept that living a system is tantamount to abandoning consciousness (Hampden-Turner, 1982, 192; Berman, 1984, 303). We are on the horns of a dilemma. What are the prospects for a resolution through synthesis?

The Lived Story: The System from Within

Consider breathing as a system. The air enters the body and passes through the bronchial tubes, the lungs and rib cage expand, the diaphragm drops down, and so on. The usual principles of feedback, homeostasis, etc. apply. Breathing, however, is a special kind of system, because it is one we can be aware of from within. As the lungs expand, there is the experience of the lungs expanding. As the diaphragm drops down, there is the experience of that movement. We may not tune in to these experiences—in fact, we usually do not—but the potential is there. In this particular instance, at least, the system has its own within.

But that is only the beginning of the story. Once I connect with the withinness of breathing, the whole realm of the within becomes available to me in a new way. For instance, as I am breathing, I may from time to have a thought. There is a withinness to the thinking that has the thought, one that parallels the withinness of breathing. Just as the breath breathes, so the thought thinks, and while thoughts have the special characteristic of being about something, the withinness of thinking (including the structure of aboutness) has nothing to do with the content of what is thought. In the same way, there is a withinness to seeing, to hearing, to swallowing, a a withinness to the mood that permeates my experience, the emotion or longing that frames my perception, and the intention that directs my action. Starting with breathing (one of countless possible entry points), I have gained access to the withinness of the lived story.

Of course, the way things are for any particular person, the unexamined content of the lived story, may vary dramatically. For a person of faith, the withinness of the lived story might include the immediate presence of a divine being or force, accompanied by a flow of blessings. For a salesman, the withinness of attending a party might include a heightened sensitivity to clues that a potential customer is in the vicinity. Nor will any one such description be complete: In each case, multiple layers of meaning will be available. Like stars and planets sweeping through the ether, we swim within a sea of significance, inhabiting a world that ordinarily “makes sense” at each and every level we care about.

My view is this possibility for experiencing the lived story from within represents the synthesis I asked after at the end of the last section. Tulku (1987, 300-301) explores this idea in some depth:



Thinking 'about' thinking steps outside the conventional structure of 'knower' and 'known', for it occurs within thinking. In the same way, knowledge is known in the act of knowing. The interplay of language, ideas, observation, and integration, of mental and sensory activity, of positioning and identification, is available for knowledge directly … Retracing through its own momentum the dynamic that experience embodies, analysis allows active knowing to emerge. Working together, inquiry and analysis need no longer rely exclusively on thoughts and concepts as tools, but instead can find knowledge directly within each moment—not isolated in the knower or hidden within the known, but freely available in a way that links the mind and the surrounding without necessarily locating either 'mind or 'world’.

As understood by conventional knowledge, 'knowing' and 'not-knowing' alike manifest in patterns of feedback between 'subject' and 'object.' … When inquiry has made knowledge active and available, feedback has a more creative aspect. 'Subject’ and ‘object' can be seen as correlative, interdependent facets of knowledge. In this way of seeing, knowing arises between subject and object …

 
It is this “knowing between subject and object” that I have in mind when I speak of a knowledge accessible within the lived story.
 
Let us return for a moment to Bateson's woodsman, chopping down a tree. It would be a rare individual indeed who experienced this activity in the way Bateson describes. But it is easy enough to imagine that same woodsman inhabiting a story in which the tree will serve as the central beam in the roof of a vacation cabin that he has planned to build for his family for years. Now we are in that rich domain of meanings that constitute the withinness of the story, alive with emotions, impressions, recollections, and so on. All that remains is for the woodsman to be aware, as he is cutting down the tree, of these levels of of meaning, and of how they inform his 'world system'. At that point, the lived story has become accessible to inquiry from within the story. One is both inside and outside the story.

This “inside/outside” status is related to the systems analysis, which also turns away from the content of a story to analyze its working. To know within the story in this way, allows for what Bateson (1972c) calls “Learning III,” within which, as Heron and Reason (1997) put it, “the mind can choose its premises of understanding and action, can detach itself from all frameworks to peer into and reflect on their presuppositions.” With this, we can see how systems thinking relates to the knowing within the story that I have been trying to identify. “In a Batesonian framework,” writes Berman (1984, 275), “we can actually focus on the circuit, not just be immersed in it.” That is precisely the point of a knowing that knows from within the act of knowing, from within the lived story.

Transforming the Story from Within: Implications for Democratic Theory

Systems of government, and also nation-states, are artificial constructs. They are tools or machines, ad hoc “things” created by human beings to accomplish specific ends. As artificial constructs, they lack the defining characteristic of being human, for they have no within. In this respect they differ dramatically from cultures, which are defined precisely by the fact that they instill in their members—and in effect 'embody'—the essential elements of a lived story that make that culture what it is. Systems analysis may be effective for government, the mechanisms of which can be analyzed. But insofar as it seeks to explain the systemic structure of a lived story, systems analysis will not be relevant to the inhabitants of that story, for whom the story is simply not permeable to such external analysis.

For modern, large-scale democracies, this impermeability of the cultural story to analysis is deeply problematic, for government must attempt to maintain order and safeguard the welfare of citizens who belong to a multiplicity of cultures, no longer united by a unifying lived story. When group identities conflict, when members of a single nation no longer find common ground, the result is conflict that can easily erupt into violence. We have seen the consequences countless times in recent decades.

The situation is actually more complicated than this view suggests. We live in an era when lived stories have been brought into the open, have been made visible as stories. In the past, each culture had its own “way things are,” its own founding story, which remained invisible because it was all inclusive.

Today, there is no one way that that things are, for today we have access to every culture, and as a result we find it increasingly difficult to maintain the truth of one particular story, one “totalizing narrative” (Lyotard, 1984). Those who insist on their truth nonetheless—fundamentalists—are likely to respond to this threatening cultural surround by growing ever more rigid, ever more ready to strike out at those who disagree with them.  The rest of us are left holding on to stories we can no longer justify, but which for that very reason may go underground, more difficult to recognize and acknowledge than ever.

The prevalent loss of faith in the lived story—the inability to justify it in terms of the logic of the appropriate narrative—is precisely what can make systems thinking applied to human systems especially attractive. For if the lived story comes to be reinterpreted as a told story, then it too is an artifice, subject to causal explanation and perhaps even rational reformation. If only, we may imagine, we could develop “systemic wisdom” (G. Bateson, as quoted in Berman, 1984, 258), we could find a way to live with one another and with our environing world. But here we come up against the same problem we have encountered before. Whatever narrative we may adopt, the lived story—even a lived story we can no longer justify in narrative terms, can no longer tell with conviction—remains impermeable to systems analysis, and thus impermeable to change. Shifting and fluid as it responds to the evolving situation of the moment, the lived story at a more basic level it is rigid and unyielding, strongly committed to the fundamental positions and identities around which the web of stories has been woven. In terms of the lived story in an era of contested narratives, there is no such thing as systemic wisdom, only the competing systemic wisdoms of each lived story.
 
The natural response to this dilemma is to look for ways to create or identify a new lived story or modify the old ones. But how is this to be done, if not through rational analysis? It is a question similar to the question Berman (1984, 290-297) raises about Bateson's (1972) paradigm-breaking Learning III: how can we arrive there, absent a complete conversion to a new story that could as easily lead to fundamentalism as to freedom.

One solution to this problem is to create a new cultural homogeneity: to communicate insistently a narrative that can gradually become a lived story. Advertising, the successor to classical rhetoric, is already busy working at this level, and the popular media does something similar: consider the unifying effects for the relevant community, at least at a superficial level, of a successful sports team, or the impact of megahit televisions shows such as American Idol. Another example, less successful, is the attempt to impose “political correctness.” But in a world where so much information competes for our attention, this approach either drifts inevitably toward the lowest common denominator, to what will appeal to the most people at the simplest level, or is ridiculed as a clumsy attempt at thought-control.

Another solution is to create a new lived story, one that large segments of the population can accept. In recent times, the most sustained attempt to do this is the ecology movement, insofar as it seeks to redefine being human as standing in a stewardship relation to the earth. There is no doubt that this approach has had some success, perhaps because it appeals to the lived dimensions of human being (the simple power of encounters with nature). Whether it can hold its own when it comes into conflict with other lived stories that focus more on self as consumer, etc. remains to be seen.

Here I want to consider a third approach, consistent with the focus on “knowing within the story” that I developed above. If we can understand the story from within the story, if we can analyze the story systemically without stepping outside the story, the prospect opens that we can give up our commitment to the content of the story. This can happen without changing our story (though the very act of knowing, arising within the story, will work some sort of change) or adopting a new one. In effect, we are trading on the fluidity of story-structures to undermine their concurrent rigidity. And we are using our own capacity to know systemically to do so.

When we are no longer committed to the content of the story, we are ready to ready to let that story merge with the stories of others. We have created a basis for interaction among cultures and for individual representatives of those cultures. Such interaction happens not by learning to accept the prima facie validity of the stories told by the other, but by letting go of the claims made by our own stories. It is an openness that emerges from within.

A good metaphor for such an openness, based on the notion that each lived story is its own world, is the image of a fusion of horizons (Gadamer, 1986). I have discussed elsewhere (Petranker 2005) how such a fusion can come about. For our purposes the key point is that a fusion of horizons does not depend on abandoning or even modifying our particular lived story, but rather on letting go of its claim to be decisive and authoritative. The shift is ontological, for it has to do with the status of the way things are. It comes about by activating a knowing from within. In some cases this may happen through challenging specific aspects of the story. More fundamentally, however, it happens simply through learning to appreciate the story as story.
 
A person ready to see her own most fundamental stories in operation, to know them from within, is ready to be a citizen of a multicultural and postmodern society, one in which no story commands complete loyalty from all, but core stories continue to operate at deep, unacknowledged levels. If that is the sort of citizen we want and need, there are clear and immediate implications for education in a democracy. It is not enough to accept diversity. Instead, we must educate citizens to tune in to the stories they live, both personally and culturally. This will involve a three-step process.
 
First, they should gain skill in the kind of analysis that makes those stories available to inquiry. Second, they should learn to experience stories from within, in all their depth and multiple layering. Finally, they should move beyond their truth claims, ready to accept that others live stories that are
different. It is this third step, of course, that is vital. My claim, which remains to be investigated, is that it will come about naturally as members of society learn to know from within the story. For it is only narratives that insist on their truth. The lived story, experienced as story, makes no claims at all. It only sets up a world. And worlds imbued with the kind of inner knowing I have been exploring here are inherently available to fuse with the worlds—the stories—of others.

  Balder : Kosmonaut

Re: A Story-Centered Approach to Human Systems

Balder said May 20, 2:08 PM:

 

I have been wanting to comment on the above article, and have had trouble finding adequate time to put a post together.  Hopefully soon.  For now, briefly…

I highlighted the essay for a couple reasons: 

1) The usefulness of the 'story' metaphor for a postmetaphysical approach, and the question of the 'place' of story in our lives (I'm thinking here of Jim and Steven's discussion of beliefs and necessitous men);

2) The distinction Jack draws between narrative and lived story, and his proposal that individual and social transformation may involve 'exploring the lived story from within' (which seems to cross several themes we've explored in the translation vs. transformation discussions, and the question of the relevance of 'experience');

3) The relation of Jack's discussion to the Integral project – both how Integral may provide ways to conceptualize and maybe more clearly language some of Jack's ideas, but also how his analysis reflects on what Integral is up to (putting forward a new narrative or 'story'); and

4) Jack's discussion of Gadamer's fusion of horizons in a TSK context (which he explores in another essay, essentially as a temporal reorientation that allows for the letting go of the fixity of current narrative forms and structures).

More later…

  Nickeson : Easy

Re: A Story-Centered Approach to Human Systems

Nickeson said May 21, 12:28 PM:

 

Hey,
What follows is an un-systematic arrangement of notes coming off the reading of the essay and Balder's following comments.

1. From Essay: Yet from within the story, systems thinking is not possible, for as
Bateson (1972a, 314), the elements that constitute the story are large
inaccessible to consciousness. In fact, some writers sympathetic to
systems theory have been prepared to accept that living a system is
tantamount to abandoning consciousness.
And later: Let us return for a moment to Bateson's woodsman, chopping down a tree. It would be a rare individual indeed who experienced this activity in
the way Bateson describes.


I am not sure that Bateson is entirely correct here and in preceding statements about the Woodsman and his tree. And I totally disagree with the “some writers” and the abandoning consciousness.  (I should point out that my disagreement is based on the assumption that “thinking” is not just a linguistic act but also includes non-linguistic visualizations and apprehensions.) These few sentences and several others kept bring back to mind what I had written in two others posts. This most recently from Privileged Access the sequal:

“I have found that the transformative quality of “hearing”
or “seeing” is not about the holy content of the text nor the righteous
charisma of the teacher, but the degree of energetic intensity with
which one attends to them or any other activity–highly focused
attention, some delight plus a little anticipation trips open the
endocrinal and endorphinal flow and, presto-chango, transformation in
which one does, indeed, have privileged access; though not to God or
the secrets of the universe (in whatever phase one has been taught it
possesses) but to a heightened attunement within one's own full
physical resources.”

And this one from long ago and far away in the Status of States 2:

“I don’t remember when, as a kid, I started to play at phasing in and
out of Seamless Whole–Articulation–Seamless Whole–Articulation. I
figured everyone did it and I never gave it much thought. Then when I
was 19 to avoid an Incomplete in a sculpture class I worked for about
24 hours straight on a life-size, modeled clay bust…intense,
hurried, ambidextrous work. About three hours into the project the
perception phased into Seamless Whole on its own not only in a
audio-visual way, but tactile too. Ecstasy…for the remaining 21 hours.
I can rarely do audio. Visual is a piece of cake. When the work and
focus are intense tactile comes in with the visual, but never quite as
137.6% full as that first time.”

First of all I want to point out the non-rare nature of these situations. Athletes call it being in the Zone. And I use the sculpture incident (that came into being through the operation of the first excerpt) because it involves thinking that is not linguistic but nonetheless involves a constant evaluation of the sculpture. It also involves, in almost the same way, a constant evaluation of the perceived environment, beyond oneself and the sculpture, that is now apprehended as something like a system, an all encompassing, communicative flow of almost undifferentiated energy. And it also involves a constant evaluation of the subject from the environment's p.o.v. In this aspect it is almost like being in a dissociated state such the desperate kid who watches from the door as this zombie doppelganger of himself is over at the counter robbing the 7-11. But here there is no dissociation. The point(s) of view are equally operational but they aren't exactly two, and then again they aren't exactly one. And most assuredly it is not a loss of consciousness, but an enhancement of it. There are any number of other aspects to such a state, but in this post I just want to emphasize the apprehension of the organic systematized nature of the situation, it is like being a functioning, totally interrelated, non-reducible part in a large non-reducible machine.

This took longer than I thought. I have a couple more observations about stories, but they will have to come later.

Ciao
Steven

  Balder : Kosmonaut

Re: A Story-Centered Approach to Human Systems

Balder said May 22, 9:28 AM:

 

First of all I want to point out the non-rare nature of these situations. Athletes call it being in the Zone. And I use the sculpture incident (that came into being through the operation of the first excerpt) because it involves thinking that is not linguistic but nonetheless involves a constant evaluation of the sculpture. It also involves, in almost the same way, a constant evaluation of the perceived environment, beyond oneself and the sculpture, that is now apprehended as something like a system, an all encompassing, communicative flow of almost undifferentiated energy. And it also involves a constant evaluation of the subject from the environment's p.o.v. In this aspect it is almost like being in a dissociated state such the desperate kid who watches from the door as this zombie doppelganger of himself is over at the counter robbing the 7-11. But here there is no dissociation. The point(s) of view are equally operational but they aren't exactly two, and then again they aren't exactly one. And most assuredly it is not a loss of consciousness, but an enhancement of it. There are any number of other aspects to such a state, but in this post I just want to emphasize the apprehension of the organic systematized nature of the situation, it is like being a functioning, totally interrelated, non-reducible part in a large non-reducible machine.

This is a great description.  I recognize this state from a number of different times in my life, but some of the most moving have been while playing music.  Although the flow state was mostly in auditory and kinesthetic fields rather than visual, your decription of this state as “something like a system, an all encompassing, communicative flow of almost undifferentiated energy,” clearly captures, for me, the experience we used to call “crossing the line.” 

Some disciplines deliberately cultivate or seek to evoke such states, of course – such as in drumming, ritual music, etc.  Gamelan music was used ritually for this purpose:  the co-creation of an auditory yantra, to allow the players to enter a contemplative, self-suspended state of entrainment.  In my experience, the repetitive, complexly interlocking gamelan parts do help facilitate this, though I always preferred playing the flute in gamelan, which is one of the few instruments where improvisation is allowed.

About the statement that experiencing in the manner of Bateson's woodsman is uncommon, that may be the case in the modern West (outside of the work-, art-, or sports-induced flow states we've discussed), but the heavily verbal, agglutinative language forms you find in some other cultures suggests to me that there are some historical instances where this sense of systemic-experience is more common.

I look forward to your observations about stories…

B.

  Nickeson : Easy

Re: A Story-Centered Approach to Human Systems

Nickeson said May 24, 3:37 PM:

 

Story notes, page 2.

Where to start? Humor is always good. Read this brief excerpt from Petranker: “Like stars and planets sweeping through the ether, we swim within a sea of significance, inhabiting a world…” Whoa! A different metaphor for every six words (including the articles that traditionally shouldn't be included in editorial word counts)…Strunk and White are spinning.

Balder's brief, clarification post offers greater choices for expansion on the story theme than the entirety of the essay–not the most successful of enterprises, though a really solid effort. (To say in essence: If people were more conscious then they would get along better, and this is kinda…maybe…well, a step toward consciousness, but for reasons known only to me, I'm not going to call it that,” isn't exactly compelling.)

The merry IPS band is (supposedly) considering two essays, Petranker's and the one by Manuel Cobussen over in Edward's Uncanny thread, that offers some good stuff too over here. If taken together, this from Balder's post:3) The relation of Jack's discussion to the Integral project – both how Integral may provide ways to conceptualize and maybe more clearly language some of Jack's ideas, but also how his analysis reflects on what Integral is up to (putting forward a new narrative or 'story');

and this from Cobossen: “If the scientific, artistic, and/or philosophical narration is
convincing, if it allows me and perhaps even forces me to reflect and
to be “on the way” as Heidegger would have it, if it unveils new ways
of thinking instead of closing up the imagination by providing univocal
and rigid answers, if it incites me to revisit their world, then I
would call a narration or definition successful,”


open some doors.

This is the important part–”…if it unveils new ways of thinking instead of closing up the imagination…” Petranker's piece was an old way of thinking about perhaps a new way of thinking. It was philosophy in the old (now) self-marginalizing style that can just as easily send one “on the way” to “decadent scholasticism” (Rorty's toothsome phrase) as toward a deepening of consciousness. (Remember…knowledge about consciousness is not consciousness any more than knowledge about experience is experience.)

And then there is all this Deleuzeian stuff about about assemblages.  To me, this material isn't new. But then I am a specific minority. First of all I am a native of Wyoming, USA. Vis a vis the nation as a whole the entire population of that state can be lost within the standard statistical percentage for margin of error that renders all of us insignificant. (Yes! We can fly below the radar, and Note: Dick Cheney is not a native of WY but was a teenage carpetbagger.) Secondly, I grew up on ranches that were situated as the last place at the end of a bad road just the other side of the post office at Fin Du Monde, where no one day was like any other day in one's life. This is where nothing was certain except familial love and respect and the fact that one was more or less the same person on arising as when one went to bed. The only thing one could control was their reaction to a world of almost always novel contingencies. There were no always certain channels of communication except within the household, no solid financial conduits, no folly of faith in the weather, no faith in any market, but faith in the ever present prospect of being injured by livestock that were domesticated in name only. At the age of 14 one was an adult and did what adults do, drive on the highways, ride half-broken horses, and have at least one beer with lunch. It was a life of nothing but constantly sliding and shifting assemblages ruled by the energy of the moment. It was probably the polar opposite of life as known by a bourgeois Parisian of the same generation. (That narration is a set-up for stories.)

Stories as assemblage…Early 1980s, I write a droll, historically accurate, ironic article about a turquoise mine in the hills south of Santa Fe. It is for a slick, yuppie-hip regional magazine of a kind that flourished at the time (now all dead). It was an assemblage, perspectives from that mine over 400, 500 years of time from before the invasion of Coronado to the invasion of the Hippies through the years the council at Santa Domingo Pueblo employed me as their range detective. The article was held together only by a place, a hole in the ground, everything else was scattered, no narrative sequence because narrative sequences are irrational in that land, everything is irrational in that land. The only rational thing I knew was whenever I was anywhere near that mine a 7mm magnum rifle, a slight, sleek machine of awesome speed and trajectory, was in my hand because all those guys who grew dope in all the arroyos around it just carried old, slow, short range 30-30s. That rationally irrational assemblage of vignettes was not the standard narration but it was true to the character of the place. A novelist friend of mine, who wrote the same kind of stuff out of Taos, NM, but with conventional perspective, told me the piece was true to its subject and the world, but not true to the form that ruled. I knew that. I wanted that. After submission and then months of silence I called the magazine's editor who told  me that he couldn't decide; the piece was fascinating…but…it didn't…you know readers can't  quite…they expect a…well you know…I guess something more direct.

Assemblage is not direct. Direct is just the old way to close imaginations, foster decadent scholasticism, train dogs.

The painter Andrew Wyeth, although he often did cliché, was the master of white space, that which is not there, that which “unveils new ways of thinking instead of closing up the imagination,”  that which one could say was “other;” did tempera in the manner that nowadays good writers should be doing words.

Peter Matthiesson, now a Zen Monk, wrote At Play in the Fields of the Lord…dense, dense, every detail covered at the deadly expense of the imagination. I've never made it through it. He was pushing his mind over mine and I will not allow that.  But later Far Tortuga, a minimalist rewrite of Moby Dick. Pages and pages of white space save for a Chinese calligraphic rendering of the sun at dawn, the sun at sunset. With that one I had some appreciation. Now more so since I became a Caribbeanero.

 This, I hope, is an assemblage that works. Let me know.

Maybe more later, or not. Cobussen writes of complexity trumping integral…there might be some semantical problems here, but I like the way he is headed.  I gotta think about this tomorrow.

Ciao,
Steven

  Balder : Kosmonaut

Re: A Story-Centered Approach to Human Systems

Balder said May 26, 11:43 AM:

 

Steven, I enjoyed your artful response – and think your vulture 'assemblage' worked very well.  I'm swamped right now but look forward to giving a fuller response soon.